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Pick Your Poison: Monday 4-16-12

On Monday editions of Pick Your Poison, I typically like to regale you with tales of interesting or important shows in and around the Chicagoland area that are worth your time seeking out. That is, if you live here of course. Today is a particularly special edition of that, because the two shows I’m going to mention are Chicago-centric in every way possible. Quintessential Chicago is what I’d call them, so if you’re interested in learning more about the city and its music scene, go see these bands play or at the very least listen to the music samples I’m providing to you below.

First of all, if you don’t know the Waco Brothers, you don’t know country music and you don’t know Chicago. Ok, so Chicago isn’t nearly Nashville or Dallas when it comes to country, but that doesn’t mean great country music can’t be made here. Of course it’s anything but traditional country, and the Waco Brothers have achieved something of a legendary status for their crazy live shows that are more punk rock in style than anything else. For their new record Great Chicago Fire, they’ve collaborated with Nashville legend and auteur Paul Burch. If the title track is any indication of what to expect from the entire album, it’s going to be a real treat when it’s released next Tuesday 4/24. In celebration of that, the Waco Brothers and Paul Burch will be playing a record release show next Thursday, April 26th at FitzGerald’s in Berwyn. The show time is 8:30PM and tickets are $15. Buy tickets here.

Secondly, I hope you’ve heard of JC Brooks and the Uptown Sound. If there’s one Chicago band that’s truly breaking out in 2012, it’s these guys. They unleashed their latest album Want More last fall to critical acclaim, and have been touring almost nonstop since then. They played nearly a dozen shows at SXSW this year, and I feel privileged to have seen the very last one, taking place at 1AM on a Saturday night. The crowd was completely worn down. The band was completely worn down too, as it comes with the territory of playing 3-4 shows a day for 3-4 days in a row. Yet everyone persevered and summoned up the energy for one last hour of pure musical enjoyment. There was magic in that show, in part because there’s magic in this band. They’re soulful, funky and fun, quickly on their way to becoming not only a Chicago treasure, but an American one too. On Friday, April 27th, they’ll be rolling through town for one of their biggest shows to date – headlining at Metro. It’s an all-Chicago bill that night too, in the best way possible as rising stars Gold Motel and Blah Blah Blah will be opening. Soul Summit DJs will be spinning in between sets as well, to keep the party going. And what a party it will be. Having looked over the full concert calendar for that day, I will officially guarantee you there will not be a better show happening in Chicago that Friday night. If you’re around and need something to do that night, come on out and we’ll have some serious fun. Have a listen to the latest JC Brooks and the Uptown Sound single “Sister Ray Charles” to help push you in the right direction. Or watch the video for the song. Perhaps their dynamic cover of Wilco’s “I Am Trying to Break Your Heart” will be more your speed. The show on the 27th starts at 8PM and tickets are only $12. Buy tickets here.

As for today’s Pick Your Poison, I’m pleased to recommend tracks from Air Traffic Controller, The Bombay Royale, Higgins, Co Pilots’ remix of The Naked and Famous, Old Bricks, School Knights, What Hearts and Wymond Miles. In the Soundcloud section, don’t miss streaming songs from Royal Headache, Supreme Cuts, Tim Hecker, Yuck and SBTRKT’s remix of Frank Ocean.

Air Traffic Controller – Blame

The Bombay Royale – You Me Bullets Love

Higgins – Easy Thing

Johnny Headband – Over There

Nadia Kazmi – I’m Your Man

The Naked and Famous – No Way (Co-Pilots Remix)

Nouela – Fight

Old Bricks – Anthem

Prison For Kids – Suggestion

School Knights – Present Tense

Sci-Fi Romance – Broken World

Souldrop – Movement

Warning Light – Slept on the Shore All Morning Again

What Hearts – Do It in the Day

Wymond Miles – Pale Moon

SOUNDCLOUD

Frank Ocean – Whip Appeal (SBTRKT Edit)

Niki & The Dove – Tomorrow

Royal Headache – Psychotic Episode

Supreme Cuts – Sherm

Tim Hecker – Suffocation Raga for John Cale

Yuck – Chew

Pick Your Poison: Friday 4-13-12

I’m happy to say we’ve reached another weekend. Breathe that sigh of relief, assuming you don’t have to work. Grab a glass or bottle of your favorite beverage, sit down and perhaps enjoy some good music? As usual, Pick Your Poison has you covered. Today I’m recommending tracks from Brother Dege, Channel Cairo, Diamond Rugs, Island Twins, Prinzhorn Dance School, Sleep Party People, and These United States (who coincidentally play a sold out show at Metro with Trampled By Turtles tonight, Chicago friends). In the Soundcloud section I’ll advise you to stream songs from Crystal Fighters, Henry Clay People, Me and My Drummer, and Neneh Cherry’s cover of Suicide. Have a great weekend! (Oh, and by the way, be on the look out for weird stuff – it’s Friday the 13th!)

Afrobeta – Love Is Magic (DiscoTech Extended Remix)

Brother Dege – Wehyah

Channel Cairo – A Year

Diamond Rugs – Country Mile

Doc J – Contagious

Island Twins – The Wolf’s Lair

Little Comets – Waiting in the Shadows in the Dead of Night (Acoustic)

The Neighborhood – Female Robbery

Newtimers – January Love (Yus Remix)

Prinzhorn Dance School – I Want You

Punches – Can I Live? (Skeet Skeet Remix)

Sleep Party People – Chin

The Soundmen – Funny Feeling (ft. All Dom Wrong)

Strangers – Shine On You (Sensual Harassment Remix)

These United States – Born Young

SOUNDCLOUD

Crystal Fighters – Earth Island

Danny Glover With Tits – Campout

Henry Clay People – 25 For the Rest of Our Lives

Lykta – Sweeter

Me And My Drummer – You’re A Runner

Neneh Cherry & The Thing – Dream Baby Dream (Suicide cover)

Pick Your Poison: Thursday 4-12-12

On the record, I hate allergy season. Pollen counts are at dangerously high levels across much of the country right now, and those of us with allergies are suffering because of it. I’ve been a sloppy, congested mess all week long and am none too happy about it. I’m grateful that I’m not one of those hay fever-type people, sneezing like I just fell into a mountain of pepper, but it’s still sheer frustration of trying to keep my airways clear for an extended period of time. If you’ve got allergies, I hope you’re faring better than me through this time of year. Thankfully my ears are working just fine, and I hope yours are too for the sake of today’s Pick Your Poison. There are some strong tracks today from Anabot, Cheers Elephant, Deep Time, Ed Schrader’s Music Beat, Elisa Luu, Modern Time Machines, Sonreal and Warm Weather. In the Soundcloud section there’s plenty worth streaming too, with tracks from Friends, The Paper Jets, and Simian Mobile Disco.

Anabot – I Am Not Afraid of the Dark

Apollo Ghosts – What Are Your Influences?

Black Dots – French Thieves

Cheers Elephant – Falling Out

David Ramos – Digital Memory

Deep Time – Clouds

Ed Schrader’s Music Beat – My Mind Is Broken

Elisa Luu – Se fosse per me

Garrison Starr – Between the Devil’s Rain and A Dying Language

Modern Time Machines – Lucky Lady

Picture Book – Sunshine (June Miller Remix)

Shake Aletti – Lights & Sparks (Mighty Mouse Dub)

Sonreal – Alone

Warm Weather – So Far/Vertigo

Zoon Van Snook – Sculptress

SOUNDCLOUD

Friends – Mind Control

Housse de Racket – ‘Til I Die (DIY Version)

The Paper Jets – Cooking Up an Accident

Porter Robinson – Language

Radio Radio – Sunrise/All Inclusive War Tour (feat. Poncho French)

Simian Mobile Disco – Put Your Hands Together

Pick Your Poison: Wednesday 4-11-12

Wednesdays are the one day every week where I like to remind everyone that Faronheit has a Facebook page. It’s there as just another way for you to find out about content on this site without actually having to visit. I’m also working hard on ideas for extra content like music videos and such you’ll be able to check out that wouldn’t otherwise appear here on the site. So I encourage you to log onto Facebook and the site’s page and click the “Like” button. I know I’d very much appreciate it. As for your daily dose of Pick Your Poison mp3s, there’s plenty to like and appreciate here too. Be sure to check out and download songs from Aesop Rock, Black Lips, The Creepy Crawlies, The Sanctuaries, Spank Rock as remixed by Shabazz Palaces, and Torche. In the Soundcloud section, you’ll want to stream songs from Airbird, Clams Casino’s remix of Joyce, and Storms OV Jupiter.

Aesop Rock – Zero Dark Thirty

Anthony Da Costa – St. Therese

Bijan – Molly

Black Lips – Dance With You

The Creepy Crawlies – Mollie the Maggot Part II

Dorsh – The Mulatto (Afrodite)

Josefina Sanner – Don’t Stop

Lost Lander – Afraid of Summer
Lost Lander – Cold Feet

The Sanctuaries – Soft Crime

Spank Rock – Car Song (ft. Santigold) (Shabazz Palaces Remix)

TalkFine – Water’s Gettin’ Too Hot

Terrible Feelings – Intruders

Torche – Kicking

SOUNDCLOUD

Airbird – Goodnight

Joyce – Keep The Lights On (Clams Casino Remix)

Mombi – Time Goes

My Tiger My Timing – Wasteland

Shields – All I Know

Storms OV Jupiter – Dying Screams Of An Imploding Star

Pick Your Poison: Tuesday 4-10-12

It’s Tuesday, time for the weekly roundup of new album releases. If you’re shopping for new music today, be aware you can buy records from the following artists starting now: Alabama Shakes, Alex Winston, Amadou & Mariam, Bassnectar, Black Dice, Choir of Young Believers, Dinosaur Feathers, Eight and a Half, M. Ward and oOoOO. As for today’s Pick Your Poison, I’ll recommend tracks from Anna Ternheim, Broncho, Caravan Palace, Fallon Cush, I Am Dive, Tiger High, Unicycle Loves You and Zulu Winter. In the Soundcloud section enjoy streaming tracks from Dappled Cities, Electric Guest, Solar Bears, and The Malex Kings (with a song about Chicago).

Ancient Astronauts – Anti-Pop Song (TimeWarp Inc Remix)

Angel Rene & Johnny Rodriguez – Sister Sue

Anna Ternheim – The Longer The Waiting (The Sweeter The Kiss)

Broncho – Try Me Out Sometime

Caravan Palace – Dirty Side

Carrousel – 14
Carrousel – Where Do We Go From Here

Damon Moon and the Whispering Drifters – Restless Roads End

Fallon Cush – Honey Honey

I Am Dive – I Was So Sad So I Was Dancing

Michael the Blind – Another Circle of Fifths

The Mowgli’s – I’ve Been Around

Sam Densmore – She’s Going to Want You

Tiger High – Don’t Want to See You Till You Go

Unicycle Loves You – Garbage Dump

Zulu Winter – Silver Tongue

SOUNDCLOUD

Dappled Cities – Run With The Wind

Electric Guest – This Head I Hold

The Malex Kings – Welcome to Chicago

.message – Under The Gun

Nemesis – Alone

Solar Bears – Cosmic Runner

Snapshot Review: Bear In Heaven – I Love You, It’s Cool [Hometapes/Dead Oceans]



2012 is arguably the year of the excellent synth-pop record. Releases from Grimes, Chromatics, Chairlift and Tanlines all have made great use of synths and dance-heavy electro beats to suck you in and leave you addicted. Now Bear In Heaven look to continue that trend with their third record I Love You, It’s Cool. This follows their 2009 breakthrough album Beast Rest Forth Mouth, a record that defied easy description with its psychedelic twists and towering pop choruses. The singles “Lovesick Teenagers” and “Wholehearted Mess” were two of the most addictive songs of that year, and proved they could also work on multiple levels thanks to Beast Rest Forth Mouth Remixed that came out a year later. Bear In Heaven must have learned quite a bit from those experiences the last few years, because they seem to have a firmer grasp on where they’re headed with this new album. The overall format is locked down pretty firmly, that being huge, synth-infused pop melodies made even denser than ever before thanks to some heavy use of sequencers. “Lovesick Teenagers” seems to be their point of inspiration when composing these songs, and it’s a smart choice to have made, allowing the record to sink into a groove that positively shimmers as it keeps your toe tapping. “Idle Heart” is an icily beautiful way to start things off, the synths washing over you like waves, the peace only disturbed by a distorted beat that pushes its way as far to the forefront of the mix as possible. There’s so much going on in first single “The Reflection of You” it even threatens to overwhelm Jon Philpot’s vocals, but it’s balanced just precariously enough to prevent that from happening. That actually happens multiple times on the album, and it’s almost enough to turn great songs like “Sinful Nature” and “World of Freakout” into something less impressive and catchy. Perhaps it’s all in how you listen to I Love You, It’s Cool that determines what truly catches your ear. Headphones seem to invoke fears of claustrophobia, every single available space filled with one element or another. Listening in the car is a little better, but a large theatre or outdoor concert venue is probably ideal for the breadth of these intense melodies. Huge as these songs may be, not to mention remarkably danceable, Bear In Heaven somehow fail to fully capitalize on the things they do right. With all the electronica elements splattered across every inch of this record (again making it ripe for remixing), the band seems unable to fully flesh out their ideas in 3-4 minute spurts. On most tracks they seem poised to build tension and then have an explosive release, but almost every time they do it too early, too late or not at all. Sometimes they just settle into an ambient section that fails to add to a song, leaving it to stagnate instead on the thought it could go on forever without interruption. The pieces of the puzzle are there, just not necessarily put together in the right order every time. Tracks like “Cool Light” and “Warm Water” wind up more as boring filler than engaging moments that keep the record going. That’s unfortunate, because at 10 tracks and 44 minutes, I Love You, It’s Cool turns out to be only a little more than half of a great album. Then again, maybe when they perform it live at a packed venue with people that came to dance, it’s a great record from beginning to end.

Bear In Heaven – The Reflection of You

Buy I Love You, It’s Cool from Amazon

Pick Your Poison: Monday 4-9-12

Hope you had a great holiday weekend, if you celebrated Easter or Passover or just being alive. For my Chicago people, I want to spend a couple minutes talking about some upcoming shows that are worth your time and hard-earned money to check out. First up? These United States. They’ll be at Metro this upcoming Friday, the 13th. They’re opening for Trampled By Turtles, who by the way, are also pretty good. The show starts at 8pm and tickets are $20. Download a song from These United States below, and buy tickets to the show here.

Secondly, we have Said the Whale. Their album Little Mountain came out last month and is quite the indie pop delight. You can stream the whole thing at their website and download a sample mp3 of the song “Heavy Ceiling” here. They’ll be headlining a show at Double Door on April 18th with a fully packed bill that includes Audiences, Otter Petter, Bambi Raptor, and Chains of Love. Tickets are only $7 if you buy them in advance, which ultimately comes out to about to just over a dollar a band. You can buy tickets to that show here.

As for today’s week-starting Pick Your Poison, I’ll recommend tracks from Catcall, Cookies (with Colin Stetson), Dive covering a Kurt Cobain demo, The Great American Canyon Band, Led Er Est, Six60, The Wedding Present and Wintersleep. I also recommend the These United States track, if you didn’t understand that implication when I was talking about their show at Metro a minute ago. Oh, and in the Soundcloud section you can stream some great songs from Alpine and introduce yourself to upcoming Pitchfork Music Festival artist Outer Minds.

Artifice – Dreams (Fleetwood Mac cover)

Blue Foundation – Lost (Sun Glitters Remix)

Brass Bed with Allison Bohl – One (Harry Nilsson cover)

Catcall – Paralysed

Cookies – Crybaby (ft. Colin Stetson)

Dive – Bambi Slaughter (Kurt Cobain Demo)

The Eastern Sea – A Lie

The Great American Canyon Band – Burn

Iman Carol Fears – Manic

Josephine Foster & The Victor Herrero Band – Sangre Colorada

Led Er Est – Kaiyo Maru

Mickey Hart – Slow Joe Rain

Notes Floats – Automatic Friends

Six60 – Forever

Star Slinger – Bad Bitches (ft. Stunnaman and Lil B)

These United States – Dead & Gone

The Wedding Present – You’re Dead

Wintersleep – Resuscitate

SOUNDCLOUD

Alpine – Icypoles

Charles Hammond Jr. – (Re)Introduction

Eamon McGrath – Instrument of My Release

Outer Minds – Gimmie A Reason

Pick Your Poison: Friday 4-6-12

To Christians of a certain belief system, I wish you a Good Friday. To those of the Jewish faith, I wish you a Happy Passover. To everyone else, enjoy this otherwise normal day of the week. Go see the new American Reunion movie or something. I’m pretty sure fucking pies has nothing to do with any religion (that I know of). Also, how about taking advantage of some free music? That’s something people of all races and religions can agree on. Today’s Pick Your Poison is a nice set of songs to kick off your Easter weekend. The collaboration between A-Trak, Mark Foster & Kimbra is something to download, as is the holiday appropriate band name of Easter Island, plus tracks from Lioness, Ourlives, Racing Heart, ex-Shins band Sad Baby Wolf, Two People Playing Music, and XOV. Have fun with colored eggs this weekend, and I’ll check in on your candy coma on Monday.

A-Trak, Mark Foster & Kimbra – Warrior

Brendan Losch – Son of a Gun

Easter Island – Hash

Ellis Islands – Broad Street

Feature Cuts – Hello My Love

The Sun The Moon The Stars – Flesh of the Gods

Giant Claw – Dream Love

Lioness – The Night

Modern Time Machine – Lucky Lady

Ourlives – Where is the Way?

Paper & Places – To Berlin

The Plastic Pals – Leave It Till Tomorrow

Racing Heart – Emma

Sad Baby Wolf – Everything Is (Neutral Milk Hotel cover)

Theophilus London – Lighthouse (Jeffrey Jerusalem Remix)

Two People Playing Music – Beehive

Work Drugs – Lisbon Teeth

XOV – Angels Calling

SOUNDCLOUD

The Cast Of Cheers – Animals

Miami Rick – Sea Turtle Heaven

Paije Richardson – Just Like Yesterday

Album Review: Screaming Females – Ugly [Don Giovanni]



Screaming Females have been something of a hit-or-miss band. Okay, so their misses have never been far off the mark, it’s just most of their records lose focus from time to time. In many ways that comes with the territory of crafting blistering punk rock, because it’s a messy genre that requires creative execution to avoid becoming repetitive. Kudos do go to Screaming Females for nicely fleshing out their sound over their last couple albums, moving further away from their namesake description and into a more melodic and structured direction. It’s gone a long way towards giving the band depth many thought they never had without sacrificing their intensity or killer guitar work. And though their name is plural, the trio only has one female member in frontwoman/lead guitarist Marissa Paternoster. She’s a one woman wrecking ball though, with the personality and skill of about three people. Bassist King Mike and drummer Jarrett Dougherty do their best to stay out of her way both on record and on stage, which is the smart move to make. That’s not to say they aren’t useful or essential members of the band. They provide the framework upon which Paternoster builds her kingdom, and my what a kingdom it is. Thanks to their fifth album Ugly, they’re more in control than ever of their sound and destiny.

By most accounts, Screaming Females are only adding to the legend that is Steve Albini. The guy has made some legendary punk records on his own the last couple decades, but these days he seems to be the go-to guy for bands looking for that gritty, yet clean-cut sound. He somehow knows just the right amount of polish to add so there’s a faint glimmer sparkling beneath the mud. Cloud Nothings earned the Albini treatment earlier this year with their record Attack on Memory, and for all the complaining they’ve done about the guy since, the album is one of the best 2012 has to offer so far. Screaming Females have yet to go on an anti-Albini rant, but from the way that Ugly turned out, they won’t have any reason to. Of course it helps greatly the band’s music is well in line with Albini’s producing style, as there are plenty of examples where the opposite is true and things don’t go so smoothly. Paternoster’s guitar and vocals are front and center, exactly where they need to be, but without losing the spiky bass lines or intense drumming in the process.

Paternoster shares a lot of qualities with Carrie Brownstein of Sleater-Kinney/Wild Flag/Portlandia fame. Not only do the two share similar hairstyles and complexions, but they’re musical soulmates too. The intense, menacing voice of Paternoster matched with her equally fierce guitar playing are unique qualities held by very few but very talented musicians, Brownstein being key among them. For those upset with Sleater-Kinney’s hiatus just as they were churning out some of the best punk rock of their careers, Screaming Females do quite the incredible job filling that void. It was almost kismet the way S-K went on hiatus in 2006, the same year Screaming Females self-released their debut album. Feel free to argue in favor of Wild Flag being the heir apparent to S-K’s crown instead, given that Brownstein and drummer Janet Weiss are principal members. What Wild Flag lacks is the same attack dog mentality and sheer intensity of S-K, though there are flashes of it from time to time on their debut album. Screaming Females absolutely have those qualities, and they’ve never been more potent than on Ugly.

The main shift the band has made on this new album is directly towards commercial accessibility. It’s a matter of focus, really, not to mention the skill required to come up with dynamic hooks. Ugly is filled to the brim with those, the choruses slamming you time and time again until you can’t help but get them trapped in your head. If anything, this album suffers from a glut of catchy songs, and the way they overlap one another is a small cause for alarm. The charm of “It All Means Nothing” is slightly dulled by how “Rotten Apple” forces its way into your brain immediately afterwards. The crunchy 90’s rock of “Crow’s Nest” is tossed aside as soon as “Tell Me No” races past the starting line. There are certainly worse problems to have, and of course one of the good things about it is that different things will jump out at you after each listen. So you may not become addicted to “Red Hand” the first 10 times through, but it’ll finally hit you on the 11th. There are a few moments that genuinely stand out on their own every single time though, and that’s mostly because they offer some variation compared to the rest of the record. “Leave It All Up to Me” goes a little heavier than some of the other songs, and playfully dissolves into nearly nothing before building itself back up again for one more run at the chorus. Closing track “It’s Nice” comes as described actually, a complete 360 from the rest of the record, bringing in acoustic guitars and a full string section for a grandiose moment of beauty. After all the grime and riffs from the prior 13 tracks and 51 minutes, here’s a final respite that proves this band can do more than rock out with their pseudo cocks out.

If Ugly has a piece de resistance, it comes in the form of the 7.5 minute dirge “Doom 84”. The riffs are heavy and intense enough to rival some of Zeppelin’s finest work, and the solos in the middle of the song are head-bangingly good. If you want to know exactly why Screaming Females are so impressive and ballsy, this is the song that will fully sell you on the idea. How they’re able to fill the track with so much noise it hurts while only being a spare three-piece is a mystery for the ages. That sentiment could be applied to the entire record, actually. Whatever their methods, the band and this album go a long way towards proving that rock and roll isn’t anywhere close to being dead. In fact, it’s quite alive and kicking. Ugly might not be a life-changing record or even the best record of a still-young 2012, but it’s huge for Screaming Females. After languishing for the last few years as underground punk rock heroes with a mindblowing live show, here’s proof they’re truly ready for the spotlight. Now it’s up to us to shine it in their direction.

Screaming Females – It All Means Nothing

Buy Ugly from Amazon

Pick Your Poison: Thursday 4-5-12

Well friends, let me use this post to keep you apprised of some of the latest happenings with the good ‘ol Pitchfork Music Festival. The complete lineup was finally revealed today, after two separate doses of acts to try and get you interested earlier. The end result? I’m interested in this lineup but also a bit disappointed. Things are certainly less high profile than last year, even as Feist and Vampire Weekend are still pretty big names. My main concern is how good this is all going to sound in an outdoor, daytime setting. Artists like Beach House, Real Estate, Oneohtrix Point Never, and Clams Casino, among others, don’t exactly make music to be enjoyed under the sweltering sun. Now Sleigh Bells, Iceage, Wild Flag, Grimes and Cloud Nothings – those are acts to get you moving. There’s lots more hip hop this year too, none of which can be considered bad at a festival thanks to heavy beats and guys shouting instructions at you (hands in the air!). A$AP Rocky and Danny Brown at least should be good for some high energy halfway crazy sets. So though I might not be totally thrilled with this year’s lineup, I’m convinced things will turn out well anyways. Even if they don’t, it’s kind of nice just to hang out in Union Park with everyone. You can buy single-day passes to the festival for $45 by clicking here. You can have a look at the full lineup by going here. Come on out to the fest this July with me. We’ll have some fun, drink some beer and see some good live music. Okay, onto the business of Pick Your Poison. Recommended tracks today come from Alexander Tucker, Caltrop, Father John Misty (aka J. Tillman ex-Fleet Foxes), jj, King Tuff, Midnight Magic, MNDR, Ólafur Arnalds and Young Hines.

Alexander Tucker – Window Sill

Beast Make Bomb – Flagpole Sitta (Harvey Danger cover)

Caltrop – Birdsong

Conveyor – Mane

Dubious Ranger – The New Eve

Father John Misty – Nancy From Now On

The Funk Ark – Hey Mamajo

Giant Giant Sand – Forever and A Day

The Grey Area – Ourselves

jj – Beautiful Life

Joshua McCormack – The Phantom King

King Tuff – Bad Thing

Midnight Magic – Psycho For Your Love

MNDR – #1 in Heaven

Ólafur Arnalds – Allt varð hljótt

Paul Barker – reSpite

Wazu – Happy Endings

Young Hines – Can’t Explode

SOUNDCLOUD

Mr. Fogg – A Little Letting Go

Ny – Music

Pick Your Poison: Wednesday 4-4-12

Once a week or so I like to remind everyone that the site has a pretty brand spankin’ new Facebook page that I encourage you to check out for the latest posts on this site as well as some extra content. Okay, so the extra content isn’t there yet, but it will be soon enough. Go there and click “Like” if you’re a fan. I know I’d appreciate it. I know you’ll appreciate today’s Pick Your Poison selections. I’m liking tracks from Ane Brun (covering Arcade Fire), Vacationer’s remix of The Asteroids Galaxy Tour, Drylight, Midtown Dickens, Mirror Lady, Ravens and Chimes, Sugarman 3 and The Young. In the Soundcloud section you can stream Japandroids’ cover of “Jack the Ripper”, which is certainly a different take on the Nick Cave & the Bad Seeds original.

Alberteen – The Butcher’s Daughter

Ane Brun – Neighborhood #1 (Tunnels) (Arcade Fire cover)

The Asteroids Galaxy Tour – Major (Vacationer Remix)

Channel Cairo – A Year

Drylight – Extralives (ft. thepieces.me)

D’Steph – Getting It On

Go Back to the Zoo – Electric

GPSMYTH – Brewster

Jonas Schwartz – Ideas

Ketamines – Kill Me Now, Please

Midtown Dickens – Walk, Don’t You Run

Mirror Lady – Hands Are Tied

Ravens and Chimes – Arrow

Sugarman 3 – Rudy’s Intervention

The Young – Livin’ Free

SOUNDCLOUD

Ballerina Black – If You Would I

Bass Drum of Death – I Wanna Be Forgotten

Beat Connection – Think/Feel (ft. Chelsey Scheffe)

Cut Your Hair – Utah In Pictures

Japandroids – Jack the Ripper (Nick Cave & the Bad Seeds cover)

The Kill Van Kulls – Impossible Man

Pick Your Poison: Tuesday 4-3-12

Tuesdays are usually the days in which I chronicle what new album releases are out there for your personal enjoyment. This week shall be no exception, and as always please keep in mind I’m not outwardly recommending all these albums, just telling you what’s out there. If it interests you, there are new records out this week from Amadou & Mariam, Au, Bear in Heaven, Breton, Great Lake Swimmers, High on Fire, Robert Pollard, Screaming Females, UV Pop, Willis Earl Beal, and Zammuto (of The Books). Today’s Pick Your Poison has no mp3s from any of those artists, but I’ve thrown songs from most of them your way in the past couple months, so use the search function as your friend if you need to. On this list, tracks I’ll recommend come from Chocolate Robots, Christian Strobe, Ghost Loft, Letterist, Mt. St. Helens Vietnam Band, A Place to Bury Strangers, Visions of Trees (covering Sonic Youth, and World Blanket (covering Syd Barrett). In the Soundcloud section don’t forget to stream new songs from Edward Sharpe & the Magnetic Zeros, Lotus Plaza and Mount Eerie.

Andy the Doorbum – The Farm

Animal Heart – Un-Extraordinary Man (Dirty Tees Remix)

The Atolls – Pop Song Animal

Chocolate Robots – Summer Krushhh

Christian Strobe – Love Without Love

Dujeous – Spectacular

Ghost Loft – Blow

Hallelujah the Hills – Get Me In A Room

Heavy Cream – John Johnny

Letterist – 100MPH

Mt. St. Helens Vietnam Band – Warm Body

A Place to Bury Strangers – You Are the One

Roomdance – Bierdancer

Theatre of Delays – Sophie

Tim Carr – Famewhore

Visions of Trees – Expressway to Yr Skull (Sonic Youth cover)

Wave Machine – Counting Birds

World Blanket – Let’s Split (Syd Barrett cover)

SOUNDCLOUD

Circle – Fashion me a Drum

Dire Con – Pills

Edward Sharpe & the Magnetic Zeros – Thats Whats Up

Lotus Plaza – Monoliths

Mount Eerie – To The Ground

The Waxing Captors – The Trip

Pick Your Poison: Monday 4-2-12

Class of 2012 alert! Class of 2012 alert! I don’t know why anyone would call this “inevitable”, but many have: 2 of my Class of 2012 artists are collaborating. Which ones? A$AP Rocky and Lana Del Rey. The track is called “Ridin”, and it will be featured on a mixtape out tomorrow from production team KickDrums. If you’d like a preview of the track, with slices of both artists’ contributions, you can watch this video to hear a minute of it. I’m also looking forward to seeing A$AP Rocky for the second time this year at the Pitchfork Music Festival, where he’s joined in the lineup by other Class of 2012-ers Grimes and Purity Ring. The announcement hasn’t been made yet, but you may also want to keep an eye out for a couple more members of that exclusive class, including Frank Ocean, Azealia Banks and perhaps even Nicolas Jaar. We’ll have to wait and see for sure on those. I’ve got nothing new from the Class of 2012 in today’s Pick Your Poison, but there’s a whole lot of good music anyways. I’ll suggest making sure you download songs from Italian Japanese, Chicago friends JC Brooks and the Uptown Sound, Maps & Atlases, P.G. Six, The Spinto Band, Supreme Cuts, Waco Brothers & Paul Burch, Wes Willenbring and White Birds. In the SOundcloud section have a listen to tracks from Dirty Projectors, Dragonette, Karin Park and Mariee Sioux.

Baby Baby – Nothing to Lose

Heaven – Falling Apple

Hope for Agoldensummer – Daniel Bloom

Italian Japanese – NYC

JC Brooks and the Uptown Sound – Sister Ray Charles

Little,Big – Wasted

Many Places – Helmet Hug

Maps & Atlases – Fever

Mean Jeans – Anybody Out There

P.G. Six – Palace

The Spinto Band – Take It

Supreme Cuts – Lessons of Darkness (Apology)

Terrible Feelings – Intruders

Waco Brothers & Paul Burch – Great Chicago Fire

Wes Willenbring – Consequences of Recklessness

White Birds – Hondora

SOUNDCLOUD

Audiograffiti – Animals

Dirty Projectors – Gun Has No Trigger

Dragonette – Let it Go

Karin Park – Restless

Mariee Sioux – Swimming Through Stone

River Accorsi – Mynx

Pick Your Poison: Friday 3-30-12

Another Friday, another short and sweet, get-to-the-point Pick Your Poison post. I’m anxious to try a new experiment with friends, inspired by an episode of How I Met Your Mother. The grand plan is to get drunk at a bar, then go play laser tag. Sure, it’s been like 10 years since any of us played laser tag, but we’re reappropriating a childhood source of fun into something decidedly more adult. Hopefully some teenage “laser marshall” doesn’t put the brakes on this little fun experiment by forbidding people to play while intoxicated. We’ll see how it goes. As for today’s Pick Your Poison, there’s plenty to like in this set, including tracks from The D.A., Field Report, Fixers, Twin Cabins and Volcanoes. Oh, and I shouldn’t forget CFCF’s remix of Elite Gymnastics. There are new songs up for streaming in the Soundcloud section from Maximo Park, Reptar and Van She, all of which are worth your time as well. Have a great weekend!

Andy Kuncl – In Your Arms

Brodie Lumsden – Undertow

Capital Cities – Kangaroo Court

The D.A. – We Hungry

The Dig – Red Rose in the Cold Winter Ground

Elite Gymnastics – h e r e, i n h e a v e n 4 & 5 (CFCF Remix)

Field Report – I Am Not Waiting Anymore
Field Report – Fergus Falls

Fixers – Another Lost Apache

Flosstradamus – Hood Fantasy

Huoratron – New Wave of Mutilation

Julia Stone – Let’s All Forget All the Things That We Say (Oliver Tank Remix)

Twin Cabins – Cool Kids

Video Love – Le Bruit des Machines

Volcanoes – With Black Gloves

SOUNDCLOUD

kindlewood – Give & Take

LCTRISC – Please Wait On Yourself

Maximo Park – The National Health

Reptar – Orifice Origami

Steve Fentriss – Before I Give In

Van She – Idea Of Happiness

Album Review: Chromatics – Kill for Love [Italians Do It Better]



The journey of Chromatics’ new record Kill for Love is a fascinating one. Upon gearing up for a follow-up to the group’s 2007 record Night Drive, main man Johnny Jewel began talks with director Nicolas Winding Refn about crafting an 80’s-style synth pop soundtrack for his next film. The finished product was a little movie from last year some might remember called Drive. You know, that one where Ryan Gosling plays the ultra-cool driver who falls in love with his neighbor and basically goes on a killing spree to keep her safe. Yeah, that one. Anyways, upon completing work on the soundtrack to the film, Refn decided it wasn’t quite what he was looking for, and wound up using a score primarily composed by Cliff Martinez. Still, a couple of Jewel tracks still wound up on the soundtrack under the names of his three projects Chromatics, Glass Candy and Desire. The rest of the music was left on the cutting room floor.

At the end of last year, Jewel released Symmetry – Themes For An Imaginary Film, a 2.5 hour, 37 track project developed over 3 years as a conceptual tangent between Chromatics, Glass Candy, Mirage and Desire. In spite of the cover showing off the dashboard and steering wheel of a car, Jewel asserted that record was not the rejected Drive soundtrack. He has not said the same thing about this new Chromatics album Kill for Love. Of course he just generally hasn’t mentioned the film at all in relation to this record. Yet the back cover art has the album’s title written in the same font used in Drive‘s opening credits, and that’s just one of a few eerie parallels. The whole thing runs 90 minutes and 17 tracks too, not much shorter than the film itself. It might be fun to try and sync the two up if you’ve got some time on your hands, but it’s probably better just to make it the soundtrack to your own life.

See, Kill for Love, like much of Chromatics’ music, is best experienced while driving at night (I wonder why their last album was titled Night Drive). Get in your car, find an open highway or a country road, and hit the gas with this album pumping through your speakers. It’s not the sort of album you need to pay close attention to over its duration, but rather functions best as a way to enhance whatever it is your doing. The street lights blur into a monochromatic streak, the engine purrs just a little more smoothly, and even the most beat up clunker of a car will somehow seem more badass than before. Something about this music just brings those dark qualities to life, and makes the listening experience that much more special.

Kill for Love starts off in a remarkably fascinating way: with a cover of a classic Neil Young song. “Into the Black” is a piano and electric guitar driven rendition of Young’s “Hey Hey, My My (Into the Black)” with singer Ruth Radelet behind the microphone. It’s not an easy song to cover and walk away from unscathed, and the mere fact they attempted it is a bold move on their part. Their rather brash confidence actually winds up retaining strong ties to the pure emotion of the original, which is a way of saying they didn’t completely fuck it up. The gears shift almost immediately after that, and straight into the territory Chromatics and Johnny Jewel are best known for – synth pop. The title track, complete with bubbling synths and a 4/4 rhythm, shines like a beacon of pop beauty rivaling some of New Order’s finest moments. Radelet’s passionately wounded vocal sets the tone best, weaving a tale of pills, booze, love, murder and desperation into something devastatingly relatable. If this record has one true high point, though arguably there are several, it comes from that title track.

This album is quite front-loaded with the most pop-heavy material, and together they create an impressive streak of hit after hit. “Back from the Grave”, “The Page” and “Lady” all shine individually, and 2/3rds of that trio already have full music videos to their names, intended as early leaks to build excitement for the new album. The real meat and potatoes of Kill for Love arrives with the 8.5 minute Italo house jam “These Streets Will Never Look the Same”. The beats pulse and the piano pounds, the main source of support being an Autotuned male vocal with a hook to die for. Just as you start to think the track is running out of steam at the halfway point, it devolves down to the most basic beat before rebuilding itself with a twist of lime to add a little zest in all the right places. That serves as a transitional piece into a much slower, instrumental part of the record.

“Broken Mirrors” and “The Eleventh Hour” make for 10+ minutes of drifting beauty, with slowcore single “Candy” sandwiched in between as a buffer to keep you from completely zoning out. Piano and synth ballad “Running From the Sun” has all the drama of daybreak on the streets of the city. The sunlight may bring sadness as the signal telling you it’s time to go home after a night of driving, but there’s also an innate beauty that comes along with that small light on the horizon. “You are the black sky/always running from the sun,” Radelet sings on “Birds of Paradise”, the female counterweight to the male themes of “Running From the Sun”. The boy and girl are entangled in this tragic romance, wishing they could be free of the darkness permeating their lives. As the record drifts towards its melodramatic conclusion, the pace picks up again with potential future single “At Your Door”. Hard times have fallen on the boy and girl, dreams have been shattered and he seems hesitant to continue on. “You know love never turns out/the way we all plan/but the door is still open/so give me your hand,” Radelet urges, though her pleads appear to fall on deaf ears. “There Is A Light Out On the Horizon” features a sad voicemail from a girl hoping to hear back from her boyfriend, but he promptly deletes the message as if he wants nothing to do with her anymore. So the story leaves her waiting on “The River”, reflecting on what is, what was and what could still be if he’d just come back to her. As with so many things in life, a happy ending is not guaranteed.

Kill for Love ends not with a bang, but more with a whisper. It’s a long one though, as “No Escape” somberly drifts along for 14 minutes that seems to be a meditation on the tragic themes of the story told. As it washes over you, there’s an almost post-rock sort of serenity that can be achieved if you’re in the right frame of mind. There is no epic crescendo that feels like a glorious explosion of beauty, but the way the track shimmers and fades shows just enough signs of life to offer hope at the conclusion. The sun is rising on a new day, and though it may mean the end of this particular night drive, the warm, dim glow of the dashboard against a pitch black sky is never too far away. Chromatics have crafted themselves something of a masterpiece. It enhances and throws some variation into the style established on their last album without ever sounding boring or staid. There are pure pop moments and pieces to dance to, matched equally by ambient balladry frought with emotion. All of it is sequenced perfectly to maximize its impact. Ideally you should listen to Kill for Love from start to finish without interruption, while cruising around a city with no place in particular to go. Throw on your scorpion jacket and grab your toothpicks, because tonight we’re going for a Drive.

Chromatics – Into the Black (Neil Young cover)
Chromatics – Kill for Love

Buy Kill for Love on iTunes
Buy Kill for Love on CD from Italians Do It Better

Click past the jump to stream the entire album!

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