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Lollapalooza 2012: Saturday Recap


Day 2 of Lollapalooza 2012 was a short one. That is to say, a few hours were cut out due to inclement weather. By “inclement” I mean severe storms the likes of which Chicago hasn’t seen in a little while. They evacuated Grant Park for the first time in Lollapalooza history, undoubtedly scared at the prospect of a potential stage collapse that might kill some people. So from about 3-6 PM no bands performed and while some were rescheduled, others were cancelled entirely. One of the bands I was most looking forward to, Chairlift, was unable to perform as a result. But I did get to catch a few bands on Saturday, mostly after the storm. Here’s a quick summary of what I saw, which I will expand upon at a later date.

GIVERS
The only band I saw before the evacuation, and they were the perfect start to my day. Their upbeat energy was contagious, and the crowd was totally into it. They stuck with the great stuff on their debut album In Light, and made it even more exciting and catchy than ever. GIVERS are definitely going places.

FUN.
After the evacuation and rain delay and the release of a revised schedule, I was with some people that desperately wanted to see FUN. I went along for that ride, even as two of my favorites The Tallest Man on Earth and tUnE-yArDs were also playing at the same time. One thing I learned is that people love FUN. They love FUN. in the same way people love Neon Trees and the like. I am not a fan, but stood there trying to understand the appeal. What I took away from their set was that they’re high energy and really appreciate their fans. They’re also a little better than what their hit single might suggest. So there’s that.

The Weeknd
After a food and restroom break that took far longer than anticipated, I stumbled through the mud to see half of The Weeknd’s set. Turns out Abel Tesfaye (the man behind the project) is a pretty strong live performer. As a full band, they haven’t put on too many live performances, but you wouldn’t know that from watching them. Tesfaye’s vocals are the heart of it, and while he’s not quite Frank Ocean, he’s of comparable quality, which is meant as a compliment.

Bloc Party
The last time I saw Bloc Party was the last time they played Lollapalooza a few years ago. I wasn’t too impressed then, and apparently neither was frontman Kele Okereke. He said that he didn’t enjoy his last Lolla experience, but was having a much better time this time. It sure sounded like it too, as their set was better and more memorable than before. They kept the tempos strong and the hits coming. The couple new songs they played felt a little shaky, but maybe that’s how they all start before you’ve heard them a hundred times.

Red Hot Chili Peppers
What can I say about this performance. I’ve seen RHCP a couple times now, and they tend to be okay live. The live versions of their songs often have a little extra kick to them thanks to a funky bass solo from Flea or extended outros and such. Flea remains the band’s stronghold and focal point, the only real treasure now that John Frusciante is not with them anymore. Anthony Kiedis does all sorts of posturing on stage, but the real tragedy was that he seemed to forget a few lyrics. It made things interesting, to be sure. That, and the off-key renditions of RHCP hits done by every single person standing around me made for a pretty shrug-worthy performance.

Frank Ocean
Due to the modified rain delay schedule I didn’t see, I had no idea when Frank Ocean was performing. Somewhere around 10 PM I wandered over to his stage, and he’d been on for at least a 20 minutes or so. Because I also had an aftershow to go to and sets were pushing well past the curfew time, I couldn’t stay and watch the rest of Ocean’s set. I caught 3 songs, and they were all spectacular. His album Channel Orange is one of 2012’s best, and as a live performer he makes every single kind word said about it justified. The man is now a bonified superstar in both the studio and on stage. It was probably the most impressive thing I saw all day, even if it was only 15 minutes worth.

Lollapalooza 2012: Friday Recap


With Day 1 of Lollapalooza 2012 in the books, let me give a very brief rundown of all the bands I saw today, and my on-the-spot reactions to their sets. I’ll have photo sets for you and some longer collected thoughts once the weekend officially wraps up. Until then, my Twitter account is the best way to keep up with all the happenings in Grant Park, though my reception has been spotty at best. I may have social media blackouts for a few hours as a result. I’ll do my best to keep you all updated as possible though.

Yellow Ostrich
I only saw the last half of their set. They were dealing with sound issues and to me came off as lackluster and not the best way to start my day.

The War on Drugs
This is where I should have started my day. The band also had some sound issues, but got them cleared up quickly and put on a very rousing set anyways. Better than I anticipated it to be, too.

Sharon Van Etten
I’ve seen Sharon Van Etten twice before, and this third time was probably my favorite. Her band seemed tighter than ever, and her vocals were seeped in emotion. She didn’t even need to use words. Her tone said it all.

Tame Impala
Big crowd for these guys, who I really like on record. Turns out they’re just pretty good live. Maybe it’s more that their psychedelic songs aren’t as friendly when you’re outside in 90 degree heat.

The Afghan Whigs
Dressed in all black, the band hit every necessary note in their amazing catalogue. They played like they hadn’t lost a beat, and Greg Dulli wailed like a man possessed. Tragic that so many went to see Metric instead of this classic band. Oh, and lest I forget, their cover of Frank Ocean’s “Lovecrimes” is one of my early weekend highlights.

Die Antwoord
Here’s my other weekend highlight. I wouldn’t consider myself a Die Antwoord fan, and I don’t really listen to their records often, but they surprised me in a big way with their live show. They’re super energetic and weird (in a good way). They worked hard enough to make their set very memorable, and for that I give them full credit.

Passion Pit
With the reported mental health issues frontman Michael Angelakos is going through, I was concerned how it might affect the band’s live show. Turns out, not at all. They’ve gotten even better since the last time I saw them a few years ago, and the absolutely massive crowd was eating up every last note.

The Shins
I had to jump away from Passion Pit to see The Shins because I really like both of their latest records. I only wound up hearing a couple of new tunes, supported mainly by classic standbys off the Chutes Too Narrow album. Honestly, that was perfect for me. It lacked the outward fun party energy of Passion Pit, but offset that with great attention to detail.

M83
I think this was the biggest crowd I was in all day. I could only stay for 20 minutes before having to run across the park for Black Sabbath, and what I was able to hear was excellent but not nearly loud enough. The crowd seemed to only care about the hits on Hurry Up, We’re Dreaming, because classics like “Teen Angst” and “Colours” were met with shrugs. Too bad.

Black Sabbath
I never paid that much attention to Tony Iommi before, but after their set I was convinced he’s one of the 10 best guitarists still living today. The man hit every note with precision, and that’s with questionable health too. Ozzy was Ozzy, playing ringleader and encouraging the crowd to cheer louder or throw their hands up or whatever. He was mostly on target vocally, but slipped now and then, something all too easily forgiven considering his age and history. Bill Ward is certainly missed, however fill-in drummer Tommy Clufetos did an admirable job, especially on some big solos. The band hit all the important marks, including “Iron Man,” “War Pigs” and “Paranoid.” I wish them all the best and don’t regret missing The Black Keys for a second.

Pick Your Poison: Friday 8-3-12

Happy Friday! I’m at Lollapalooza all weekend long, so I’d like to encourage you to check in with the site for my daily recaps of all the action happening in Grant Park. If you’re going to be there, even if it’s for a single day, don’t miss my preview guide with suggestions on what acts to see and when. For live updates about what’s happening, check in with me on Twitter. Hopefully I’ll have plenty of fun commentary there too. For everyone else, please enjoy this Friday edition of Pick Your Poison. I’m happy to recommend tracks from Blanche Blanche Blanche, Denver, Menahan Street Band, North Atlantic Drift, Ormonde, Peace, and Solidisco. In the Soundcloud section, stream songs from Boys Noize, Groove Armada, Teengirl Fantasy, and Bonde Do Role/CSS side project Madrid.

Bart Finks – Pain in My Pocket

Blanche Blanche Blanche – Green Light

Brendan Hines – Could’ve Sworn

Denver – Reno

Edward Sharpe and the Magnetic Zeros – One Love to Another (Aqua Remix)

Foy Vance – Something in the Water

Janka Nabay ft. Bajah – Nar London

La Boum Fatale – Rumple (9b0 Remix)

Menahan Street Band – The Crossing

Ninjasonik – This is How We Treat ‘Em (ft. Hollywood Holt & Million $ Mano)

North Atlantic Drift – Albatross

Ormonde – Cherry Blossom

Peace – Your Hand in Mine

Seamonster – Normandy Landscape

Solidisco – Take It Back

Thomas Bryan Eaton – Last June

Tropical Popsicle – Ghost Beacons

SOUNDCLOUD

Boys Noize – XTC

Groove Armada – Pull Up (ft. Slarta John)

kilo kish – Watergun (Prod. by The Internet)

Madrid – Till Things Fall Apart

Teengirl Fantasy – EFX (ft. Kelela)

Lollapalooza 2012: Preview Guide

Hey friends! I’m happy to present you with Faronheit’s Guide to Lollapalooza 2012. Whether you’re headed to the festival this year or would just like to learn a little more about the artists performing on this year’s lineup, hopefully this guide will point you in the direction of the acts you won’t want to miss. Before we get started, I should go over a few details to help you interpret this properly. The purpose of this guide is not to analyze every act on the lineup and weigh who you should go see at what particular time. Simply put, I picked 10 acts from each day, irregardless of what time they are playing, and attempted to explain why they’re worth seeing. It’s a very good lineup this year, so choosing only 10 from individual days was tough, but I like to think this is distilled down to help you have the best possible Lollapalooza experience. I should note that some of the small side stages and Perry’s go largely ignored in this guide, because I think if you want to know where to go for dance parties or American Idol runner-ups, you can find them yourselves. Speaking of finding things, make sure you look at the festival map before going to Grant Park, if you’ve never been before. Knowing where the stages are located and that it’s a 15 minute walk from one side of the park to the other is very, very important. In the guide below, I’ve indicated when and where the acts I’m recommending are performing, and they’re ordered by time slot to help plan out your day. Additionally, if you’d like to hear music from the artists I’ve mentioned below, along with a bunch of other acts, there are links to individual day Spotify playlists for your enjoyment. I’ve structured those playlists thematically rather than by time slot to provide you with the best possible listening experience. All that said, I hope you’re ready to have a lot of fun this weekend. Drink plenty of water, dip yourself in sunscreen, and try to rest whenever possible. Those are my tips for surviving the weekend. Without further ado, click past the jump to view my Guide to Lollapalooza 2012!

Pick Your Poison: Wednesday 8-1-12

I’m very saddened to hear that Elephant 6 co-founder and Olivia Tremor Control member Bill Doss has passed away. He was 43 years old. His cause of death has not yet been announced. What’s somewhat strange about it is that I just saw him perform with The Olivia Tremor Control a couple weeks ago and he seemed perfectly fine. I suspect his friends and family thought the same thing. I think most people that die so suddenly, it’s later determined that they had some sort of body issue nobody was aware of, like an enlarged heart or something. Who knows what the official cause was, though I suspect it didn’t have anything to do with drugs or alcohol. If you’d like to attend the memorial service for Doss, it’s taking place this Saturday from 2-4 p.m. at the 40 Watt Club in Athens, GA. In lieu of flowers, his family is also asking for donations to Nuci’s Space, an organization that works to help prevent suicide and assist with depression and other mental disorders affecting musicians. You can click here to donate. As for what this means about the future of the Olivia Tremor Control, we will see. They were in the middle of recording a new album, so we may get a few more Doss-fronted songs in the near future. In the meantime, let’s continue to mourn the loss of another important musician and great talent. Onto today’s Pick Your Poison. Good and interesting tracks from AM, The Asteroid Shop, Dog Society, Fold, IlldotLogic and Scarlett Johansson with Lulu Gainsbourg.

Adele – Rolling in the Deep (Blackbird Blackbird Rework)

Alison Valentine – Peanut Butter

AM – Me and My Arrow (Harry Nilsson cover)

The Asteroid Shop – Alone

Catamaran – Goth Creep

Dog Society – The Fuse Before

Erik Gundel – The Mountains Grow

Fold – Mr. President, We’re in Trouble

Hot Chip – Night & Day (Jericho A.D. Remix)

IlldotLogic – Won’t Be Around

Jon Samuel – First Transmission

Love Like Hate – 21

Men Without Hats – This War

RUMTUM – New Lands/Sea Gypsies

Scarlett Johansson & Lulu Gainsbourg – Bonnie and Clyde (Serge Gainsbourg cover)

T Lucas – He Can Do It

Valente – Home

SOUNDCLOUD

Example – Say Nothing

From the Kites of San Quentin – Stoopid

JAWS – Toucan Surf

Saint Lou Lou – Maybe You

Verdensrommet – Nytt

Wildlife Control – People Change

Pick Your Poison: Tuesday 7-31-12

It’s a relatively weak week for new album releases, which is just fine by me. We’re gearing up for a big fall with new stuff from Animal Collective and Grizzly Bear, among others. For those looking to pick something up from your physical or digital music retailer, be aware there’s new stuff out this week from Allen Stone, Black Swans, Blur (Their 21 box set), IlldotLogic, Joshua Radin, Major Lazer, Reel Big Fish, Sacred Caves, Shannon McArdle, and Wildlife Control. If you’re really looking to hear a great new record though, next week my Class of 2012 artist Blonds will be releasing their debut LP The Bad Ones. You can stream the whole thing right now exclusively at Stereogum. For individual songs though, look no further than right here and this edition of Pick Your Poison. Don’t miss some strong mp3s from Balmorhea, Gemini Club, THe Helio Sequence, Mapuche, Trails and Ways, Vitalic and White Poppy. The Soundcloud section has some great audio streams too from the likes of the A$AP Mob, Beak>, Children and Mungolian Jetset.

Balmorhea – Pyrakantha

Bryan Ellis – Skinny Luv (Bon Iver cover)

Carried By Waves – For the Absent

DāM-FunK – Happy

Dikembe – We Could Become River Rats

Freddy Hall – Hold Love, Keep It in Your Hands

Gemini Club – Sparklers

The Helio Sequence – October

Mapuche – Biutiful

The Prodigy – Hyperspeed, G-Force Part 2 (12INCHPT Remix)

Sophie Madeleine – Oil & Gold

Tailor – Wolf

This Is Cinema — Mädchen

Trails and Ways – Mtn Tune

Vitalic – No More Sleep

White Poppy – Mirage Man

SOUNDCLOUD

A$AP Mob – Bath Salt (ft. Flatbush ZOMBiES)

BEAK > – 0898

Children – Riot

Mungolian Jetset – Smells Like Gasoline

MYSTYRYS – Normals

Popstrangers – In Some Ways

Snapshot Review: Purity Ring – Shrines [4AD]



According to the dictionary, a purity ring is a “type of promise ring that pledges abstinence.” In more plainspoken terms, by wearing a purity ring you promise to not have sex until you get married. As many who wear purity rings will claim, the wait is worth it. How fitting then for a band calling themselves Purity Ring to make us wait a long time before releasing their first full length album. First appearing in early 2011, they began releasing single after single, like a trail of breadcrumbs to keep us interested and engaged. It helped that they were really good songs, too. Describing their sound can be a little difficult, but it’s fair to say they’re like a more pop-driven version of The Knife or Crystal Castles, pairing skittering hip hop-esque electronic beats with often masked female vocals. The duo of Corin Roddick and Megan James are responsible for the project. Roddick handles the instrumental side, and James does vocals and lyrics. Their first single “Ungirthed” did just about everything right, fusing together little electro plinks with surges of bass, and James’ vocals playfully floating above it all. It was fun and surprisingly addictive, which was a trend that continued with additional singles like “Belispeak” and “Fineshrine.” A grand total of five out of eleven songs off their new album Shrines were released leading up to it, and there wasn’t a weak track among them. Now with the whole thing available for your consumption, the great news is that their previous success wasn’t a fluke. Even the non-singles carry hints of being potential future singles, and this record is so jam packed with them it can be a challenge to pick out the highlights. On any given day you might fall in love with “Crawlersout,” only to have “Lofticries” dig its claws into you the next time around. That’s a good sort of problem to have, though for fans that have been keeping up with the band since 2011, some of those earliest tracks will always be considered noteworthy moments. Newcomers to the Purity Ring bandwagon may initially find inspiration in certain songs, though the entire record might start sounding like an amorphous blob after awhile. Such a reaction is completely natural given that the template tools used to make this album don’t really change from track to track. Even the lyrics are thematically similar, filled with vibrant body imagery. “Sea water is flowing from the middle of my thighs,” James sings at the start of “Crawlersout.” The very next song is “Fineshrine,” where she encourages somebody to “cut open my sternum and poke my little ribs around you.” From the ringing ears and clicking teeth of “Ungirthed” to the sweating lips and starving hips of “Saltkin,” and even to the album cover featuring disembodied hands and lungs, Purity Ring are very easy to figure out, even if their distinct sound and lyrics can be challenging. It’s the angle they approach each melody and hook that makes the difference, rewarding close listening. If Shrines has a failure, it comes via the mid-album oddity of “Grandloves.” Isaac Emmanuel of Young Magic shares vocal duties with James in what feels like an ill-advised duet where he tries on his best computer-glitchy Beck impersonation. The song’s not bad by any means, but really more pedestrian and uninspired than everything that surrounds it. Otherwise it’s a very impressive debut from a band that continues to change and evolve with time. It might take them a few years to finally generate a follow-up LP, but if history is any indication, we’ll be hearing a new song or two or five before then. If it’s anywhere near as good as what we’ve been given on Shrines, it truly will have been worth the wait.

Buy Shrines from Amazon

Listen to me talk about Shrines on a podcast.

Pick Your Poison: Monday 7-30-12

Because there hasn’t been an extraordinary amount of talk about it here on this site, I want to take a brief moment to mention Lollapalooza 2012 and how I’ll be covering it. In the past, I’ve gone all out for Chicago’s biggest music festival. I’ve devoted more than a week to covering it in full, providing preview guides and mp3s and all sorts of other goodies to try and ensure your festival-going experience was as good as it could possibly be. This year, I’m still hoping to make your Lollapalooza experience great, I’m just condensing my coverage of it a little bit. Today would normally be the when I start in on that sort of thing, but for 2012 it’s not going to happen until Wednesday or Thursday. And while I’m happy to provide day-by-day preview guides on what artists to see, I won’t be going hour-by-hour, instead simply selecting artists you shouldn’t miss on each day no matter what time they’re on. During the festival I’ll have daily recaps for you, and once it’s all over I’ll have a wrap-up post with a bunch of photos. I don’t so much want to reduce my coverage as I feel like I have to in order to maintain my sanity. With such a huge festival, it’s a lot harder to cover than say the Pitchfork Music Festival. So I’ll do what I can, and I hope you’ll check in on the main page to see what’s happening whether you’re going or not. Okay, let’s do Pick Your Poison for this Monday. There’s some good music in this batch, so be sure not to miss songs from Letting Up Despite Great Faults, Lovely Bad Things, Modern Rivals, The Mountain Goats, R. Stevie Moore and The Sea and Cake. In the Soundcloud section, hear my Class of 2012 artist Blonds cover the latest Dirty Projectors single.

Dirty Radio – Holiday

Eleni Mandell – Never Have to Fall in Love Again (ft. Benji Hughes)

Jenee Halstead – Bitten by the Night

Letting Up Despite Great Faults – Visions

Lightning Love – I Know

Lovely Bad Things – I Just Want You to Go Away

Mac DeMarco – My Kind of Woman

Modern Rivals – Defenestrate You

The Mountain Goats – Cry for Judas

Nervous Cloud – Monarch

Nu Sensae – 100 Shades

R. Stevie Moore – Pop Music

Ryan Helsing – Our Gift Is Our Wish

The Sea and Cake – Harps

Wolf Rider – For You (Travelin Bags)

SOUNDCLOUD

Atlas Genius – Trojans (Fred Falke Remix)

Blonds – Gun Has No Trigger (Dirty Projectors Cover)

Homeboy Sandman – Brown

Rah Rah – Art and a Wife

Sam Pace and the Gilded Grit – The Feelin’

Sweet Valley – Malibu Games

Pick Your Poison: Friday 7-27-12

Who’s got Olympic Fever? It’s a dangerous disease that people seem to come down with once every two to four years. Not everybody is affected, but there are certainly warning signs to watch out for. Obsession with torches is one of the gateways, along with suddenly caring about sports you either don’t normally like or would never play in a million years. Would you watch a professional swimming or diving competition where all the participants are from your own country? They don’t normally televise those things for a reason. When it’s international and the Olympics though, suddenly it’s on for 2 hours and you’re hooked. Personally, I try to stay away from the Olympics as much as possible. It’s not that I dislike them or the idea of supporting my country, but instead just the opposite. If I give in and start watching, I’m not sure I’ll be able to stop. In other words, I would immediately come down with Olympic Fever, and the only way to cure it is when the two week sports competition ends. I’d rather not get sucked in if I can. Oh, who am I kidding? I can’t resist. If you can hold off from watching the opening ceremonies or weekend events long enough to check out today’s Pick Your Poison, it’s a great one. Top picks today include tracks from Crystal Castles, Field Report, Lymbyc Systym, Rosco Bandana, Suburban Living and Tough Guys of America. The Internet’s (of Odd Future) remix of alt-J’s “Fitzpleasure” is quite good too. Have a great *Olympic* weekend!

alt-J – Fitzpleasure (The Internet of Odd Future Remix)

Birds & Batteries – The Golden Age of Dreams

The Cringe – Rushing Through the World

Crystal Castles – Plague

Field Report – Taking Alcatraz

Flosstradamus – Rollup (Baauer Remix)

Jupe Jupe – Piranha

Lee Bannon – Impressions

Lymbyc Systym – Prairie School

Mean Creek – Young & Wild

Rosco Bandana – Time to Begin

Shy Around Strangers – It’s Alright

Snake Rattle Rattle Snake – Paperskin (ManyColoredBeast Mix)

Suburban Living – I Don’t Fit In

Tough Guys of America – Sale

Windsor Drive – I Don’t Feel It

Zulu Pearls – No Heroes No Honeymoons

SOUNDCLOUD

Crypts – Territories

Medeski Martin & Wood – Doppler

Oren Lyons – Forever Found

Sticky Stockholm – How We Do

Xylos – Fiction in 4 Moves

Snapshot Review: Eternal Summers – Correct Behavior [Kanine]



If you’re going to pick a band name as emotionally evocative as Eternal Summers, you’d best have the material to back it up. People get excited about summer, because it means time off from school or work, warm weather, and lazy days by the pool or lake with family and friends. It’s a special season to say the least, and one we often wish would go on forever. The road hasn’t always been paved with sunshine and blissful happiness for Eternal Summers though. They’ve spent the last few years in relative obscurity, part of a somewhat secret music community in their hometown of Roanoke, VA called Magic Twig. It’s a loose collective of musicians that work with one another without much regard for official band membership. They have their own recording studio and embrace the DIY/lo-fi aesthetic. Guitarist/singer Nicole Yun and drummer Daniel Cundiff met that way, and with their minimal pop powers combined they became established enough to earn a record deal. After a couple of EPs, 2010 saw the release of their first full length Silver. While it certainly achieved some degree of measurable success, reviews weren’t exactly glowing with affection for the duo. Then further tragedy struck: while on tour, their gear was stolen. Yun’s special Parker Nitefly guitar was among the losses, and she didn’t have the money to pay for a new one. Other guitars didn’t quite have the sonic range to pull off some of their songs, so to compensate for the low end they brought in bassist Jonathan Woods. Becoming a three-piece has fleshed out Eternal Summers’ sound more than ever, as has their decision to outsource the mixing of their new album Correct Behavior to New York, where The Raveonettes’ Sune Rose Wagner and producer Alonzo Vargas took care of it. They may have been concerned about letting other people have some degree of control over their sound, but the end product really shines positively on the growth of the band and provides the leg up needed to get the attention they deserve. Helpful as these changes might be, in the end they don’t amount to much if the songs themselves aren’t good. Thankfully Eternal Summers don’t have that problem, as this album features stronger lyrics, more confident vocals and more candy-coated hooks than anything they’ve ever done before. First single “Millions” kicks things off in a very bright and bouncy fashion, really hammering home the fuller sound and putting Yun’s vocals at the front of the mix. “I’ve got to shake this shell and break it into millions,” she sings, and while it’s supposed to represent a new found freedom in your life, in many ways it also feels like the band is starting fresh and embracing the same ideals. That same intense energy and playfulness continues to carry on through super addictive songs like “Wonder,” “You Kill” and “I Love You.” All together those first four songs make for one of the best starts of any record so far this year. Cundiff’s drumming is propulsive in exactly the ways it needs to be, especially on more punk rock numbers like “You Kill” and “Girls in the City.” Yun also gets in some intelligent guitar solos on “Wonder” and “Heaven and Hell,” likely the result of not having to worry about being the only guitar in the band anymore. There are a few moments where Correct Behavior slows down, which help balance out the record nicely and give you a chance to catch your breath. “It’s Easy” and “Good As You” are dreamy and beautiful in all the ways they need to be, holding your attention when they very well could have killed the mojo established by the quicker, more upbeat tracks. Perhaps the biggest standout on the entire album comes right in the middle with “Girls in the City.” It’s the only track where Cundiff handles the vocals, and the post-punk melody blended with his very cut-and-dry baritone makes it comparable with something you’d hear from Joy Division or Crystal Stilts. Eternal Summers showed hints of such influences on their previous releases, however it’s never come across as clearly as it does here. The only real problem is that it doesn’t mesh as well with the breezier pop stuff that’s all over the rest of the record. Finding a better way to incorporate new and different styles is one of the things they can work on for their next long player. In the meantime, Correct Behavior goes a very long way towards making Eternal Summers the sort of band you want soundtracking those times of fun in the sun.

Eternal Summers – You Kill

Eternal Summers – Millions

Buy Correct Behavior from Amazon

Pick Your Poison: Thursday 7-26-12

In case you haven’t been following me on Twitter, you may not have heard that I’m now contributing to a weekly podcast. Yes, I was asked a little bit ago to join the ranks of the Funny and Handsome Guys podcast, and I accepted in spite of being neither funny nor handsome. Anyways the first episode is up and available for free download. It’s a special, extended 2 hour edition, that includes a lengthy discussion about A$AP Rocky, a movie review of The Amazing Spider-Man, and a list of favorite comic book movies. Check it out if you’re into podcasts, or just want to learn a bit more about me. It’s not officially affiliated with this site, though many of the artists I feature on here will probably get some exposure via our weekly music segments. Speaking of featured artists, let me tell you all about today’s Pick Your Poison highlights. Don’t miss tracks from Anna Haas, Catherine Irwin (with Bonnie Prince Billy), Exquisite Corps, I Come to Shanghai, The Oats, Sondre Lerche and Western Affairs. In the Soundcloud section stream new stuff from Black Moth Super Rainbow, Chelsea Wolfe and Percussions.

Anna Haas – Maypole

Beastie Boys – No Sleep Til Brooklyn (The Golden Pony Remix)

Big Awesome – Birdfeeder

Catherine Irwin – Mockingbird (ft. Bonnie Prince Billy)

Exquisite Corps – Light as a Feather

Gouldcloud – Feeling+Aftermath

Grassfight – Nassau

I Come to Shanghai – Empty Eyes
I Come to Shanghai – Another Holiday

Jerzey Street Band – Pale Blue River

Juiceboxxx – Like a Renegade

The Oats – Get Me Going

The Orwells – In My Bed

Ruarri Joseph – Anyway

Save Ends – Sweet Defeat

Sondre Lerche – Boxing Day

Western Affairs – Iowa

Woodpecker – Married to the Movies

Wyatt – Leonah

SOUNDCLOUD

Black Moth Super Rainbow – Windshield Smasher

Boys Noize – What You Want

Chelsea Wolfe – The Way We Used To

Goapele – Undertow

Percussions – Bird Songs

Seatraffic – Put Away

Pick Your Poison: Wednesday 7-25-12

Class of 2012 update! I like doing these every once in awhile, just to check in with some of the 10 artists I’ve promised to keep an eye on all year long. First up today is Kreayshawn. Her album Somethin’ Bout Kreay will finally be out on August 14th. As a build up to that, here’s her new music video for the song “Go Hard (La.La.La.)”. It is decidedly better than I might otherwise have expected (my expectations were very, very low). Next up, let me talk about Grimes. Claire Boucher, the woman behind the name, did an interview with MTV Hive saying she’s been working on new material, but that it might not be released under the Grimes name. She’s venturing down some more experimental alleys and playing with reggaeton and industrial dance music, which wouldn’t quite fit the Grimes sound. In addition to that, I’m pleased to announce that hot off her very, very popular performance at this year’s Pitchfork Music Festival, Grimes is returning to Chicago for Lollapalooza. Well, she won’t be performing AT Lollapalooza this year, but at a just-announced aftershow on Friday, August 3rd. It’s a special 21+ party being thrown by Filter and S.O.Terik at Logan Square Auditorium, and the 10P-2A lineup also includes thenewno2 and The Big Pink. The best part is it’s FREE, all you have to do is RSVP. Go here for full details. It will also RSVP you for a show on Thursday, August 2nd with Twin Shadow, Neon Indian and a DJ set from Passion Pit. Both nights are so good, I’m considering abandoning aftershows I actually bought tickets for. And finally, Class of 2012 artist Blonds have a new single for you to stream in the Soundcloud section below. Listen to it, it’s great. I’ll have a couple interesting cover songs from them that I’ll be posting in the next couple days too, so keep an eye out for those. Also keep an eye on this edition of Pick Your Poison for tracks from Bear Mountain, Callers, Diamond Terrifier, The Modern Airline, and Spook Houses. In the Soundcloud section, besides Blonds be sure to stream new stuff from The Babies (Vivian Girls/Woods side project), SBTRKT, and Solar Year, featuring Grimes of course.

Bear Mountain – Two Step

Brim Liski – The Repetitions

Callers – Howard 2 Hands

Damon Moon and the Whispering Drifters – Ten Sleep, WY

Diamond Terrifier – Adamantine

Dots Will Echo – I Like It

Free Swim – Records in the Basement

Howth – Secret Goldmine

Maestro – Popo Funk

The Modern Airline – Monster on the Campus

MONDRIAN – Euphoria

Mozella – You Don’t Love Anyone But Yourself

Muzic Class – Hamburger (ft. Pate)

Sheriff Ariff & The Wali Sanga – The Kraken

Spook Houses – American

YUZIMA – Powerful

SOUNDCLOUD

The Babies – Moonlight Mile

Blonds – Time

The Invisible Cities – Sneak In Line For The Show

SBTRKT – Gloss

Solar Year – Brotherhood (ft. Grimes)

Pick Your Poison: Tuesday 7-24-12

It’s Tuesday, which means it’s time for me to run down all the new music releases that are officially available starting today. If you see something you like, please go to your favorite store or digital venue to buy it and support the artists. There’s new stuff this week from The Antlers, Bonnie Prince Billy, Eternal Summers, Family Band, Fang Island, The Gaslight Anthem, Heavenly Beat, Kyle Adem, Laetitia Sadier, Lawrence Arabia, Micachu & the Shapes, Om, Passion Pit, Purity Ring, Shawn Lee, Six Organs of Admittance, Shawn Lee (download a song from him below!), Three Mile Pilot, Woodpecker and Young Moon. There’s some really good stuff in there if you know what to look for. Things to look for in today’s Pick Your Poison include tracks from Braid (a classic), Bridge Underwater, The Eastern Sea, Marian Call, Martin Eden (aka Eluvium) and Shane Gamble. In the Soundcloud section there’s fresh and great audio streams from Bat for Lashes and Dirty Projecvtors.

The Bergamot – Amy

Braid – First Day Back

Bridge Underwater – So What

Clams Casino – I’m god (Mist Glider Remix)

The Eastern Sea – The Match

Fast Planet – Columbus

Fierce Creatures – Catacomb Party

Grimes – Be A Body (Ramphastos Remix)

Happy New Year – Twins

Marian Call – Good Morning Moon

Martin Eden – Worker

Meshell Ndegeocello – Be My Husband (ft. Valerie June)

Misun – My Time

Scraps – 1982

Shane Gamble – Turn My Way

Shawn Lee – Head Up

Stayce Dylan – Please Don’t Feed the Animals

Theatre of Delays – Journey to the Sun

SOUNDCLOUD

Bat for Lashes – Laura

Dirty Projectors – Buckle Up

Piano Overlord – Aninha

Pick Your Poison: Monday 7-23-12

Happy Monday to you. I hope your weekend was excellent. Mine was spent being lazy, which is always nice to do every now and then. In today’s slice of music news, I’m happy to report that New Order is back, and will be touring the U.S. for the first time in seven years this fall. Naturally, bassist Peter Hook, who quit the band in 2007, is quite unhappy to hear his old bandmates are continuing on without him. Somehow Hook still maintains he’s doing the world a favor, going out and touring with a band to play classic Joy Division records while singer Ian Curtis rolls over in his grave. But whatever, New Order has classic albums themselves. You can view the full list of North American tour dates by clicking here. They’ll be at the Aragon Ballroom in Chicago on 10/21, by the way. I’ll hopefully be going to that show, and if you’re in the area I hope you’ll go too. As to today’s Pick Your Poison, let me pass out some gold stars to tracks from The Archives, Brainstorm, Maria Minerva, Team Bayside High, and Sweet Valley, which is a new instrumental project from Nathan Williams of Wavves. In the Soundcloud section, stream great new songs from Freelance Whales and Menomena.

Adele – Turning Tables (Jericho A.D. Remix)

The Archives – Ghetto Gone Uptown

Black Pistol Fire – Crows Feet

Brainstorm – Beast in the Sky

Case Work – With You

Clear Plastic Masks – Pegasus in Glue

Highasakite – Indian Summer

Human Machine – Be Good

Icky Blossoms – Heat Lightning (Ghost Loft Remix)

Maria Minerva – The Sound

MIDI WIFE – Heart Foundation

New Navy – Breathe (Telepopmusik cover)

Picture – True

SNAKATAK – Quit Your Job

stacy – Dale

Sweet Valley – Total Carnage

Team Bayside High – Loch Ness Monster

Yes Cadets – Le Mans

SOUNDCLOUD

Freelance Whales – Locked Out

Jones – Dont Walk Out

Menomena – Heavy Is As Heavy Does

Album Review: Frank Ocean – Channel Orange [Def Jam]



Frank Ocean’s sexuality shouldn’t matter. Why his revelation that he’s bisexual has made so many waves (pun intended) is because people working in the hip hop and R&B genres are often considered intolerant of anyone who’s not 100% straight. There’s a fair amount of anti-gay rhetoric and hurtful slang used in tracks without even blinking an eye or somebody speaking out against it, and so for Ocean to come out in that sort of environment takes an incredible amount of courage. He’s weathered the storm quite well so far, though the realities of his situation might be a bit different than what we’re seeing through the eyes of the media. Now let’s just hope he doesn’t get stereotyped because of it, or made an unofficial spokesperson for all things bisexual or homosexual in the music community. The ultimate hope is that if you make great art that people will see past any labels and appreciate it solely for what it is. The great news for Ocean is that his newest album Channel Orange does exactly that, transcending topical, musical and many other boundaries to help make it one of the most fascinating and exciting full lengths of 2012 so far.

Whether you’ve been paying close attention to the R&B and urban styles of music the last few years or not, chances are you’ve become aware that the increased popularity of AutoTune has been both a help and a hindrance to music in general. At its best, AutoTune is another creative tool that can be used to take vocals or accent tracks in ways many never thought possible until now. At its worst, it’s an annoyance, detracts from the humanity in a song, and allows singers to cheat by taking their vocals to places they couldn’t otherwise go on their own. Ocean doesn’t use AutoTune on Channel Orange, nor is it apparent that he needs to. His vocals are smooth as silk, and his range is far more vast than you might expect. Listening to opening track “Thinkin Bout You,” Ocean holds a pretty even keel together until the chorus hits. Reacting to being wounded by a love interest, he flips into a soaring falsetto that makes for an impressive emotional outpouring of his pain. Sad though it may be, it’s also one of several very catchy songs on this record.

The lightly bouncing and effortless “Sweet Life” celebrates the excess associated with being rich, ultimately settling on the very addictive creed of, “Why see the world/when you’ve got the beach?” But that sort of reaction isn’t meant to be taken at face value, instead it’s more about the search for meaning beyond what money and the song’s title describe. Similarly, “Super Rich Kids” uses a plodding piano chord that sounds like it was ripped from Elton John’s “Benny and the Jets” to both mock a life of massive weath and relate to the consistently greedy emptiness it causes. “A million one, a million two/a hundred more will never do,” he sings like a man trapped in a prison of money from which there is no escape. As a 24-year-old still in the earliest stages of his career, Ocean isn’t nearly at the point yet where he could be considered a financial heavyweight. These songs aren’t so much personal stories or feelings he’s describing, but rather character morality tales that are always human and surprisingly relatable. “Crack Rock” turns a drug addict into somebody we can sympathize with, while “Lost” is about the personal relationship between a drug dealer and a drug mule, how they may love each other but can’t stop using one another either. Love and religion intertwine on “Monks,” where the passion a crowd has for a musician parallels that of a deity, the Dalai Lama and Buddhism being the example used. Thematically similar but all the more devastating is “Bad Religion,” where he likens unrequited love to a cult because of its exclusivity, obsession and inability to give anything back to you. The line in the chorus, “I can never make him love me,” is thought by many to be related to the letter he wrote about his attraction to a man that didn’t feel the same way. Whether or not that’s actually the case, the frustration and sadness in his voice is very, very affecting.

Lyrical content and stories aside, Channel Orange also has plenty to offer in terms of composition. This is not your standard R&B slow jam style record. Ocean is offering up so much more than contemporary leaders of the genre like R. Kelly and Usher are trying these days. The risks he’s taking have more in common with Kanye West’s last album, the near perfect My Beautiful Dark Twisted Fantasy, than almost anything else around. If that record set a new bar for hip hop, Ocean’s seeks to set a new bar for R&B. He’s taking many of the greats such as Stevie Wonder, Marvin Gaye and Prince, and applying some of their best qualities in mind to tracks that are extremely modern in body. The organ and spoken word opening of “Bad Religion” is eerily reminiscent of Prince’s “Let’s Go Crazy,” but moves in a polar opposite direction with the entrance of mournful piano chords and dramatic orchestration. Southern style rhythm guitar and church organ blend quite effortlessly with drum machine beats on closing track “Forrest Gump,” and together they give the song a tenderness that betrays a line like, “I wanna see your pom-poms from the stands.” If you really want to understand what this record is all about and see how Ocean has turned R&B on its head, look no further than “Pyramids.” The sprawling, nearly 10 minute track moves from ambient electronica to dancefloor synth-pop to a soulful slow jam to a psychedelic guitar solo without ever sounding out of place or clumsy. Altogether it’s unlike anything else in music today, and it’s that much more brilliant because of it.

If Channel Orange has one problem, it’s sticking with the time honored tradition of adding interludes between a few songs to expand its overall length and track listing. Some of them, like “Fertilizer” and “White,” serve more like brief sketches of songs and glimpses of potential wasted. The bookend tracks titled “Start” and “End” feel even more pointless, the former using the sound of a Playstation powering on while the latter has the sound of somebody getting out of their car and walking into their house. Only “Not Just Money,” featuring a woman talking about how there’s more to life than dollars and cents as she struggles to feed her family, actually feels appropriately used. It’s sandwiched in between “Sweet Life” and “Super Rich Kids,” emphasizing the moral lessons they’re looking to teach. Outside of those shrug-worthy and mostly pointless moments, everything else about this album is ironclad and near perfect. While it lacks the same theatricality and reinvention, Channel Orange can be favorably compared to David Bowie’s Ziggy Stardust record. Following on the heels of his controversial 1972 interview in which he confessed to being gay (which later turned out to be…not so much), Bowie was on the verge of calling it quits. Coupled with the legendary Ziggy Stardust however, Bowie’s profile rose significantly and he became the powerful force in music that many look up to today. Ocean is only getting his career started, but with the revelations about his sexuality and the excellence of this new album, you can almost see the same sort of career trajectory emerging. Time will tell for sure if that holds true, but for the moment this looks like the true birth of the next music superstar.

Frank Ocean – Pyramids
Frank Ocean – Sweet Life

Buy Channel Orange from Amazon

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