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EP Review: Minor Characters – Heal Me, Healing Times [Self-Released]



Let’s start with an introduction. If you’re not relatively familiar with Chicago’s local music scene, the band Minor Characters may not have ever registered on your radar. Their ultimate plan is world domination, but as with any band or person that ever had the drive to pick up and play an instrument, we’ve all got to start somewhere. In the case of Minor Characters, they first got together at the end of 2010 and have been working hard to pay their dues ever since. They play as many live shows as possible, and through that avenue have built up something of a cult following in Chicago’s local scene. That hard work has paid off in other ways too, which is probably why they recently placed third in The Deli Magazine’s poll of Chicago Emerging Artists for 2012. But the reach of Minor Characters does extend beyond the city of Chicago, as they’ve done a fair amount of touring out of town and will be making their way to SXSW in March to hopefully introduce themselves to crowds eager to hear what they’ve got to offer. Of course everyone is also welcome to discover them via their self-titled EP that was released in late 2011. Five tracks isn’t exactly the largest or best catalogue, but really those songs served as a great foundation upon which to build from. As the old saying goes, better quality than quantity. So that was a great start for the band, but they’re just getting warmed up. Their second EP Heal Me, Healing Times looks to expand upon what they’ve already done and showcase the great strides they’ve made in the last year or so.

It’s always interesting to see how bands describe themselves in press materials. Minor Characters say that they are influenced by 60’s folk, The Beatles and Radiohead. If you’re a music fanatic, that’s sort of like the holy trio of influences, and most artists would kill just to be mentioned in the same breath. But here’s the thing: just because you’re inspired by another band or genre doesn’t mean you have to conform to or sound like it. Sometimes it’s just nice to have that knowledge base going in, because if a band says they’re inspired by Nickelback and Creed, that might raise a red flag before you hear a single note. When it comes to Minor Characters, perhaps it’s best to say that they’re a mobius strip of different sounds that come together to form something that feels entirely familiar yet unique at the same time. For example, their guitars on a track like “Sun Trials” feel tuned to the frequency of Grizzly Bear, but the melody itself doesn’t quite have the same multi-instrumental layers or stark stoicism to make a true match. That’s not a bad thing, as the chorus soars and aches with emotion and the band makes some smart, creative choices when it comes to overall structure and lyrics. If you listen closely in the final minute of the song, a high-pitched, static drone slides into the background that nearly recalls the deflated ending of Radiohead’s “Karma Police” but in a much more subtle fashion. There’s also a few carefully picked notes in the verses of “Aurora Borealis” that bear an eerie resemblance to Radiohead’s “Jigsaw Falling Into Place,” though maybe that’s more the result of transference after reading the band’s bio. The opening title track can leave the taste of Real Estate in your mouth thanks to its lazy summer day start before getting a strong tempo infusion and becoming a rather addictive indie pop song. Between that and the heartbreaking piano ballad “Expatriates” that closes out the short set, the band’s diverse array of talents are well displayed here.

Enjoyable and compelling as the Heal Me, Healing Times EP might be, there are a couple of small issues with it that need addressing. First and foremost is the length. You get four songs and a total run time of around 17 minutes, which really passes by in a flash. You’re left wanting more, and while that’s always a good thing, it’s also frustrating because it seems like this band is ready to take the plunge and go for the full LP. There are likely reasons why they’re holding off on it, perhaps for financial reasons or to serve as a stopgap as they consider signing to a label. But beyond the EP’s brevity, there are moments on it that feel just a little restrained or held back from something greater. Right now Minor Characters are striking a precious balance between a very normalized, pop-driven world and off-the-charts experimentation. The songs are clean cut and catchy enough to satisfy large audiences, but the rather literary and expository lyrics paired with a few strange effects add just enough dissonance to give you a glimpse into a different dimension. Somewhere down the line, be it months or a year or two from now, they’re probably going to have to fully commit to which direction they want to take. One path brings mainstream success and money but little critical acclaim, while the other path is the more challenging but brings gravitas and integrity to their music. If they’re lucky and can do it right, maybe they can have both. Either way, they’re a band with a wealth of talent worthy of much bigger and better things than where they’re currently at. The Heal Me, Healing Times EP is proof of that, building upon their earlier material and setting them apart from the hundreds of other Chicago bands trying to reach that next great peak. To put it another way, Minor Characters are finally ready to step out of the background and into the spotlight.

Stream the entire Heal Me, Healing Times EP

You can buy the Heal Me, Healing Times EP from Bandcamp or iTunes starting on 2/25/13, or get a copy from them at one of their shows.

Pick Your Poison: Tuesday 2-19-13

After a brief break for President’s Day on Monday, here comes a fresh edition of Pick Your Poison to satisfy your new music itch. Speaking of new music, it’s Tuesday, so let’s talk about what bands have new albums out this week. Look for releases from Atlas Genius, Beach Fossils, Beat Radio (who are featured in an mp3 below), Bobby Long, Campfires, Darwin Deez, Dawn McCarthy & Bonnie Prince Billy, Eat Skull, Flume, Gray Young, Iceage, Inc., Jamie Lidell, Kurt von Stetten, Lady Lamb the Beekeeper, The Lone Bellow, Lusine, Mark Kozelek, Matmos, Miracles of Modern Science, Mitzi, Nick Cave and the Bad Seeds, Parenthetical Girls, Paul Weller, Psychic Ills, Puscifer, Sallie Ford and the Sound Outside, Samantha Crain, Sin Fang, STRFKR, Useless Eaters and VYIE. If anything strikes your fancy, maybe investigate a little further and throw a few bucks down on a worthy album. If not, well, maybe you’ll discover something new courtesy of the mp3s below. Don’t miss tracks from Death Rattle, Elim Bolt, Katie Noonan, Mars, Theophilus London and Touch Tone. In the Soundcloud section located after the jump, stream new songs from Jamie Cullum, Lord Huron, New Gods and Phoenix, among others.

&c. – Slip

30 Miles – The Smiles of Rage & Paranoia

Beat Radio – Dreaming Wide Awake

Death Rattle – The Blows

Elim Bolt – Field

Katie Noonan – Breathe in Now

Kraak & Smaak – The Future is Yours (Ambassadeurs Remix)

Lid Emba – Vow of Owls

Mars – Blue Sky Glory

Mirage in the Water – Central Bazaar

Sivu – Better Man Than He (Thom alt-j Remix)

Theophilus London – Snow Angel (ft. Trouble Andrew)

Touch Tone – Voilà

Tying Tiffany – One Second

Pick Your Poison: Friday 2-15-13

Happy Friday! I’m always happy when we make it to the end of another week. It feels like a huge weight is lifted off my shoulders for at least a couple days. That “weight” I’m describing is not this website by the way, which I still love with all my heart and don’t get to write or do as much with it as I’d like. But anyways, it’s a 3-day weekend for some, what with President’s Day ahead, so that’s an added bonus. I don’t have much else to say except I hope you have lots of fun. Let’s get to today’s Pick Your Poison and start this weekend out right, shall we? I’m happy to recommend tracks from Andrew Leahey & The Homestead, City Calm Down, Diamond Age, LVMRKS and Southern Culture on the Skids. That Usher and Diplo track is pretty decent too. In the Soundcloud section (after the jump), stream songs from Julia Holter, London Grammar, Noun (Screaming Females side project), White Fence and Hudson Mohawke’s remix of Disclosure. Have a great weekend!

All Good Funk Alliance – Go Go Bananas (Arcadion Remix)

Andrew Leahey & The Homestead – Little in Love

Blondfire – Where the Kids Are (Math Bishop Remix)

City Calm Down – Pleasure & Consequence

Diamond Age – The Shoreline

Gramatik – Bluestep

HeartsRevolution – Pop Heart

LVMRKS – Valentine

Night shall eat these girls and boys. – Flowershop

On-The-Go – Deception

Pick A Piper – All Her Colours (ft. John Schmersal)

Southern Culture on the Skids – Zombified

Usher & Diplo – Go Missin’

Warp-x ft. Rusky Rusk – She’s On Fire

Pick Your Poison: Thursday 2-14-13

Happy Valentine’s Day! I hope your day is fantastic, and I mean that whether you’re single or in a relationship. All too often I’m reminded that Valentine’s Day is also sometimes called Singles Awareness Day, because those that aren’t with someone sit around all mopey and miserable because of it. As someone that has been single for the majority of his life, I can tell you I’ve had quite a few depressing years as I wallowed away in loneliness wishing I had such a special day (greeting card holiday) to share with someone. But you know what? I’ve decided to stop allowing myself to get down about the lack of romance in my life. I’m an optimist by nature and firmly believe that eventually I will find love with the right person, it just might take some time. So now I’m looking at today as special for the love I experience every day from my friends and family, and the love I believe is still in my future. It makes me feel a whole lot better about life in general, and appreciative too. I hope that if you’re single today that you can try to adopt that same hopeful outlook. Whether you’re in a relationship or not, I did put together a Spotify playlist of some songs that make me feel loved. You can find songs from Blur, Lykke Li, My Morning Jacket, The Smiths, The Velvet Underground, Bob Dylan, Elliott Smith, Bright Eyes, The Magnetic Fields, Fiona Apple and a whole bunch more on there, so check it out if you need some inspiration or a warm sonic hug. If that doesn’t work for you, maybe some of these mostly non-holiday-related songs will bring you fulfillment. There’s wonderful tracks from Black Pus, The Boy Least Likely To, Dead Ghosts, Express and Company, Great Peacock, Rice Cultivation Society and Tempers. In the Soundcloud section after the jump you might enjoy streaming songs from Heavy Glow and The Strokes, or perhaps Lindstrom’s remix of Charli XCX. Fall in love with something today, even if it’s a song!

Black Pus – 1000 Years

The Boy Least Likely To – I Keep Falling in Love With You Again

Dead Ghosts – Roky Said

The Drovers – Fountain of Amrita

Express and Company – Gold in Your Pockets

Great Peacock – Take Me to the Mountain

Johnny Astro – Athena (ft. Rihanna)

Justin Timberlake – Suit & Tie (Julio Bashmore Remix)

Kill FM – We Will Find You

Mary Cassidy & Jon Lawless – Carolina

Rice Cultivation Society – Little Circuses on the Moon

Soul of Gaia – Two Hearts (ft. Adventure Of)

Tempers – Eyes Wide Wider

Toro y Moi – Say That (Shelby Grey Remix)

Album Review: La Big Vic – Cold War [Underwater Peoples]



Let’s start by throwing out the book on La Big Vic. That is to say, forget what you know or think you know about this band. If you already know little or nothing about them, so much the better. Their debut album, 2011’s Actually, didn’t receive that much attention, and perhaps that’s part of the reason why they chose to release a remixed version of it later that same year. You could say it speaks to their indecisiveness, that they’d act so quickly as if to say, “If you didn’t like that first version, here’s a different one we hope you’ll like better.” They are George Lucas, endlessly tweaking the Star Wars films until they’re nearly unrecognizable from their first form. It’ll be interesting to see if the band takes that same remix tactic with their sophomore album Cold War. It’s an interesting and different record from their first one to be sure, and it speaks better to their individual backgrounds while also bringing more focus and better pop structures to the forefront. Their first record and its remixed companion weren’t bad by any means, but they feel starkly different compared to how La Big Vic sounds today. You could say they’re looking for and are getting a fresh start.

La Big Vic is a trio made up of producer and multi-instrumentalist Toshio Masuda, synth guru and composer Peter Pearson and violinist and singer Emilie Friedlander. Before coming to America, Masuda was a member of a boy band and produced hip hop records and commercials. Pearson had some training as an apprentice to one of Pink Floyd’s live producers, and Friedlander was a music blogger and editor of the former Pitchfork offshoot Altered Zones. Their very disparate backgrounds ultimately wind up being a huge asset to their overall sound, as they pull from such a grand chasm of influences that range from electronica to jazz to psychedelia to synth-pop. Such a conglomeration doesn’t work on paper, which is why actually hearing it makes it seem that much more impressive of a feat. On Cold War nothing sounds too bizarre either, and you might actually say the final product is one part Zero 7 and one part Kaputt from Destroyer.

There’s a strong beat that flows like an undercurrent through many of the songs, lending them an almost trip-hop sort of vibe with a few unique twists along the way. Moments like the opening title track or Avalanches-esque vocal sampling in “Save the Ocean” reach a great head-bopping, toe-tapping groove, but also place themselves underneath a grey cloud that is threatening rain the entire time. That sense of unease and dread permeates most of these instrumentals only adds to their strange charm. Friedlander’s vocals aren’t any help either, jumping from a throaty moan to some sky-high falsetto cries of ecstasy that make you question whether or not such reactions are earned given how they bounce all over the place like a rubber ball in a small space. On “Emilie Say’s” she goes from an almost inhuman vocal high-pitched effect at the beginning to cascading through multiple octaves and eventually creating harmonies via multiple overdubs. In one sense it’s remarkably impressive, while on the other it lacks a certain degree of emotional investment. It’s easy to argue that inability to connect emotionally hurts your enjoyment of the final product, but it can just as easily be argued that such abstract ambiguity is purposeful to go along with the lyrics.

If there’s one real takeaway that Cold War offers up, it’s the remarkable clarity of intention that shines through almost every song. For a band that was built on flights of fancy and strange avenues of experimentation, this new album is strikingly straightforward, with big melodies and addictive hooks. The ease at which “All That Heaven Allows” or “Ave B” become stuck-in-your-head staples is impressive and would have been utterly unthinkable from La Big Vic two years ago. And while both of those tracks have a rather relaxed vibe to them, you’re also treated to ’80s synth pop dance tracks like “Nuclear Bomb” and “Cave Man” to twist things up in a fun and different way. In other words, this album has enough variety and experimentation on it to satisfy those in search of such elements while also placating anyone who wants something bigger, bolder and more commercially accessible. The band wants to have their cake and eat it too, and while the album might not quite be that first true masterpiece of 2013, it comes pretty damn close. The record also goes a long way to make sure that once you’ve heard it, you won’t ever forget this band again.

La Big Vic – All That Heaven Allows
La Big Vic – Ave B

Buy Cold War from Amazon

Pick Your Poison: Wednesday 2-13-13

In case you weren’t aware, the Grammys happened last weekend. The reason I bring it up, and a few days after the fact, is because I want to comment briefly on what it means to be out of touch with your audience. Let me put it this way: the music lovers I know that do watch the Grammys tend to do so for comedy purposes. There are lots of people who could otherwise be called “casual” music fans that watch and enjoy the Grammys unironically, and that’s because they see a lot of artists they’re familiar with performing on stage and getting rewarded for it. Unlike other awards shows like the Oscars, Emmys and Tonys, the Grammys don’t so much give awards to the best music, but more the most popular music. Every now and then they get something right, like in 2011 when Arcade Fire won Album of the Year for The Suburbs, but even that sparked controversy with hundreds if not thousands of people asking the question, “Who is Arcade Fire?” afterwards. At least this year they had the courtesy of nominating Frank Ocean’s Channel Orange in the Album of the Year category, which is like the equivalent of getting a Best Picture nomination at the Oscars. Of course he didn’t win (and got Best Urban Contemporary Album instead), but there’s no way any right-minded music fan would have chosen Mumford & Sons over Ocean. To be clear, I’ve got nothing against Mumford & Sons, or fun. and Gotye, for that matter. I can understand the reasons for their success, but also understand that they’re not the most creatively inspiring and innovative artists out there right now. I’d wager that if you took votes from the 500 most prominent music critics in the country and asked them to nominate 5 artists for each individual category, most of the artists nominated for Grammys this year would not make the final cut on the average critic’s list. Such disparity between passionate music fans and the Grammys is the reason why I don’t watch. My suspicion is that they need to nominate popular stuff so they can pull in enough audience to make such a show worthwhile. Still, would it hurt for them to try half-and-half, mixing the popular with the obscure, and occasionally giving the obscure a win? I know if they did that I’d be far more interested in watching. Instead I read about the winners via Twitter and shake my head at how far we’ve gotten off course. But you, dear music fan, are here and reading this right now because you too demand more from your music and are on a quest to find something new or the next big thing. It could be in today’s Pick Your Poison for all we know. Let me try to point you in the right direction by recommending tracks from Cocorosie, Decades, Fletcher, Pure X, Selebrities, Standish/Carlyon and Vandaveer. In the Soundcloud section, don’t miss streaming tracks after the jump from araabMUZIK, Class of 2013 favorite HAIM, Painted Palms and The Woolen Men.

Coasts – Oceans (Alexx Foxx Remix)

Cocorosie – Gravediggress

Deb Oh & The Cavaliers – Primacy

Decades – Tonight Again

Drake – Started From the Bottom (Feature Cuts Remix)

Fletcher – Open Arms

Frank Rabeyrolles – Always the Same Birds

Hibou – Hollow

Little Daylight – Overdose (Twice As Nice Remix)

MrBskR – Moop (ft. Alright Dave)

Pure X – Things in My Head

Selebrities ft. Erika Spring & Lissy Trullie – Everywhere (Fleetwood Mac cover)

Standish/Carlyon – Nono/Yoyo

Vandaveer – Pretty Polly

Pick Your Poison: Tuesday 2-12-13

It’s Tuesday again, which means new records are out in stores for you to buy and fall in love with. As I normally do, let me tell you about what’s being released so you don’t miss out on something potentially great. Look for new full lengths from Fear of Men, Foals, The Little Ones, The March Divide, Matt Costa, Millionyoung, Mother Mother, Pissed Jeans, PVT, Veronica Falls and The Weather Station (mp3 featured below!). If you’re not on board with any of those artists and albums, maybe you’ll discover something great in this stack of fresh mp3s as part of today’s Pick Your Poison. I can definitely recommend tracks from Alice Russell, Camera, Cannon Beach, Cave Painting, Exclamation Pony and Luxury Liners. In the Soundcloud section after the jump, stream some great tracks from Anika (covering Chromatics), The Thermals and Youth Lagoon.

Alice Russell – Twin Peaks

Camera – Debris

Cannon Beach – Hotel Earle

Caught A Ghost – Sleeping at Night

Cave Painting – Midnight Love

Disclosure ft. Sam Smith – Latch (ZHU Remix)

Exclamation Pony – Rumours

Ghost Loft – Seconds

Human Machine – Byrds in Heaven

Ian Fisher & The Present – Why Do I Go?

Luxury Liners – Caribbean Sunset (Luxury Liners Rework)

Metal Mother – Prism

Scott Churchman – Above the Sky

The Weather Station – Mule in the Flowers (ft. Baby Eagle)

Pick Your Poison: Monday 2-11-13

Let’s talk for a minute about The Postal Service. Yes, I mean the band and not the letter delivery system. The band holds a very special place in my heart, as it does to millions of others I’m sure. For me personally, I was at the exact right age when their album Give Up came out. Everyone around the ages of 18-21 that heard that record in 2003 shares a very special bond as we hung onto every word to the extent it was absurd. I’m sorry I just wrote that. But anyways, I was a fan of Ben Gibbard and Death Cab for Cutie before Postal Service even happened, though for many Postal Service was their entry point into the DCFC world. Something about Gibbard’s voice paired with Jimmy Tamborello’s video game beats and noises just felt RIGHT. As a Rilo Kiley fan as well, having Jenny Lewis contribute some vocals was a major boost to the project too. It’s difficult for me to put into words exactly what that album meant to me, except to say that I know every lyric and like to put it on every now and then to reminisce and sing along. With a limited number of tour dates surrounding that single album release, I never got the chance to see Postal Service perform live, but always held out hope that someday there might be a new record and new tour. Well, there won’t be a new record, as both Gibbard and Tamborello have said and continue to say on a daily basis, but there WILL be a tour. Coinciding with the 10th anniversary of Give Up, Gibbard, Tamborello and Lewis will be playing songs as The Postal Service for a number of dates this spring and summer. There’s nothing really scheduled for the Midwest at this point in time (see: the unannounced lineup for a major Chicago music festival), but if you’re headed to Coachella they’ll definitely be there and a bunch of other places in the coming months. Go here to see all their current tour dates. There’s also a deluxe reissue of Give Up coming out on April 9th, complete with two unreleased songs and a bunch of other bonus material. Today one of those unreleased tracks made its way onto the internet. You can hear “A Tattered Line of String” by clicking here. So I think that covers everything Postal Service-related for the time being. I know I’ll be at whatever show they play in Chicago, which is all but guaranteed to happen, and I hope you’ll be there too. Now let’s do today’s Pick Your Poison. Featured tracks today come from BAMBARA, Bromheads, Die Kreuzen, Kurt Vile, Leonard Friend, LORDO and Modern Baseball. In the Soundcloud section (after the jump), you can stream tracks from Dawes, Everything Everything, Mark Lanegan and Mogwai, among others.

Bad Cop – Animal

BAMBARA – All the Same

bassDrumsnareDrum – Blue Moon (Dub Mix)

Bromheads – Gonna Let You Melt

Die Kreuzen – Man in the Trees

Electric Needle Room – George W. Bush

Hank & Cupcakes – Sweet Potion (RJD2 Remix)

Josefina Sanner – Do You Remember

Kurt Vile – Walkin On A Pretty Day

Leonard Friend – Holograms

LORDO – Big Sleep for Alice

Modern Baseball – The Weekend

Parenthetical Girls – Sympathy for Spastics (Los Campesinos! Remix)
Parenthetical Girls – Young Throats (YACHT Remix)

Semi-Twang – Wrong Side of the Tracks

Vintage Moon – Night Heights

Pick Your Poison: Friday 2-8-13

Soooo there’s apparently a big snowstorm set to hit the East Coast over the weekend. If that’s where you’re at, I hope you stay safe and try to have lots of fun while doing so. If you have power and an internet connection through it all, there’s plenty of ways to distract yourself. I’m grateful that this weekend will be sunny and in the upper 30s for the Chicagoland area, meaning I’ll be able to go out and have fun with friends. But I definitely feel for you if life has handed you that severe weather card. Maybe you can enjoy some fresh music via this weekend-starting edition of Pick Your Poison. There’s great tracks today from Bird Call, Cyclopean, Helado Negro, Millionyoung, Neil Nathan Inc., Patti Yang and Spirit Tramp. In the Soundcloud section after the jump, stream new songs from The 1975, Bosnian Rainbows (ex-Mars Volta) and Shout Out Louds. Have a great weekend and stay safe!

Access Royale – Truth in Numbers

Bird Call – Miracle Man
Bird Call – Phantom Limbs

Cyclopean – Fingers

Dida – No Hard Feelings (ft. My Tandem)

Helado Negro – Junes

Millionyoung – Variable

Neil Nathan Inc. – Jumpstart

Paris 96 – Afternoon

Patti Yang – I Am Ready

Quasamodo – Son of Shaft

Sensual Harassment – Make Me Human Again

Spirit Tramp – Uphill

Team Spirit – MRDR It’s Ok

Tim Noyes – Patterns

Pick Your Poison: Thursday 2-7-13

Instead of writing about some random music news item today, I think I’d like to to go a little more in depth on one particular track that I’m proud to feature as part of today’s Pick Your Poison. So let’s do that briefly with the new single from CHVRCHES called “Recover”. It’s available for streaming in the Soundcloud section (located after the jump). The song is the title track to the band’s forthcoming EP, set for release on March 26th in the U.S. As the band are members of my Class of 2013, I’m not only highlighting them for that reason but also because the song is really, really good. It’s a gorgeous slice of electro pop done in a dark and off-kilter style that puts it just an inch or two away from being immediately familiar. You’re compelled to like and enjoy this track, complete with its massive chorus, but you don’t fully understand why. That mystery is one of the keys to its brilliance. It stays relatively true to the comparisons with The Knife that CHVRCHES have been enjoying, though of course if you’ve heard The Knife’s latest single you know they’re in a class all their own in many respects. Still, “Recover” only pushes the idea further that this band is worthy of the attention being shoved onto them, and things will only get bigger in the next several months I suspect. But beyond CHVRCHES, there are other artists in today’s Pick Your Poison, and you might want to keep an eye on some of them as well. Notably, in this set there’s some great tracks from Hey Anna, Kristin Errett, LVL UP, New Ivory, Shy Mirrors and SKATERS. In the Soundcloud section, stream new stuff as well from araabMUZIK, Brendan Benson, Gun Outfit, and Rachel Zeffira, among others.

Big Chocolate – Blue Milk (Spacebrother Remix)

Body Parts – Rest While You Sleep

Computer Magic – Million Years (Flying Horse Remix)

Destruction Unit – Evil Man

Dizzy – Am I (ft. Ace Hood)

Hey Anna – Tiny Kiss

Joe Hertler & The Rainbow Seekers – Your Story (Live at the Russell)

Kristin Errett – Don’t Call Me Sweetheart

Lovelier Other – Leave This Behind

LVL UP – Graveyard

The March Divide – Jose Cuervo

New Ivory – Day By Day

Shy Mirrors – First Wave Out

SKATERS – I Wanna Dance (But I Don’t Know How)

Pick Your Poison: Wednesday 2-6-13

Do you like Beach House? I sure do. Do you like films – not music videos, but actual films? I like them almost as much as I like music (and by some degree, Beach House). Well, if you answered “yes” to those couple questions, I’ve got a treat for you. Beach House have created their own short film called “Forever Still,” a 30-minute chronicle of the band performing four songs from their latest album Bloom at four different locations in the Texas desert over the course of one night. If you thought these songs were gorgeous before, just wait until you see them paired with some lovely and striking camera work. I’ve always thought of Beach House as a very “sunrise and sunset” sort of band, best during the two most relaxing times of day, and this short film only enhances that idea. So anyways, if you’re interested in watching it, the full thing is up on YouTube for your enjoyment. It certainly gets my recommendation, as do tracks in today’s Pick Your Poison from the following artists: Airstrip, Field Mouse, Glow Marrow, Herve, Low, Shy Mirrors and The Turn ACLs. In the Soundcloud section after the jump, stream tracks from Cannon Beach, Elephant, Kisses and Summer Hours.

Airstrip – Sleepy

The Battle of Santiago – Republic

Eric & Magill – Tangled Up in Nets

Field Mouse – Tomorrow Is Yesterday

Glow Marrow – Bear Creek

Hervé – Gold (feat Maria Minerva)

Kameronessi & King Kong – Lisbon to San Francisco

Kurt Von Stetten – First Daughter

Low – Just Make It Stop

NICKEL – ZYGZM (Jean Nippon Remix)

Put Your Hands Up For Neo-Tokyo – Breaking Through

Shy Mirrors – Tinted Windows

Steel Trees – Revolution

Tom Morgan – One True Love

The Torn ACLs – Something About the Sky

Pick Your Poison: Tuesday 2-5-13

Okay, while I continue to battle illness this week (which during one particular drug-induced haze I apparently found the willpower to finish an album review), let’s try and make things as normal as possible and talk about new music releases out this week. In addition to the new My Bloody Valentine album, which arrived in digital form on Saturday, you might want to be on the lookout for new records from Chris Stamey, Coheed and Cambria, Darkstar, EELS, Elephant Stone, Frightened Rabbit, Grouper, Guards, Hayden, Jenny O, Jim James, Matt Pond, Night Beds, The Spinto Band, Thao and the Get Down Stay Down and Unknown Mortal Orchestra. There’s quite a few good ones in that bunch, so if you see a name you recognize or simply want to go exploring, I strongly encourage you to investigate further. Also worth investigating is today’s edition of Pick Your Poison. Let me advise you to specifically download tracks from The Bear and The Sea, Beat Radio, Bets, The Bixby Knolls, Daniel Inouwa, Oddczar and Polly Scattergood. In the Soundcloud section, stream tracks from Coves, Mikael Cronin and the great Psychic Twin.

Arc Rev One – sELectric Shiva

Bear Ceuse – Dixie Brothers

The Bear & The Sea – Sandblonde

Beat Radio – Hurricanes, XO

Benbrick – Beyond That Nothing

Bets – Rooftop Lover

The Bixby Knolls – Runnin’ and Runnin’

Daniel Inouwa – Fade Out

La Luz – Call Me in the Day

The Memories – I’m Easy

Multiplier – To the Top

Oddczar – One Word

Polly Scattergood – Wanderlust

Post War Years – All Eyes (BROLIN Remix)

Album Review: FIDLAR – FIDLAR [Mom + Pop]



FIDLAR sound like a band you’ve heard before. They are not deeply original, and by that same token are not trying to be. It’s almost ironic that though their name is an acronym for “Fuck It Dog, Life’s a Risk,” they take very few of them in their actual music. This is skate punk at its blissfully ignorant core, content to get by on sheer energy and force. You don’t listen to this sort of thing for nuance, but instead for the heavy-hitting guitar riffs that speed past at a thousand miles per hour, the angry sneer in the singer’s voice and how almost every melody makes you want to smash into something. This is music that demands you get busy living or get busy dying. It’s brash, it’s snotty, and it doesn’t give a fuck what you or I think because you’re not supposed to be thinking in the first place. Sometimes you need a record like this to clear your head and shove all the pent up emotions out of your body. The release is nice, but once you get past that, is there anything left worth writing home about? That’s ultimately the true test of a good punk band – whether or not you can move beyond cliche and towards something deeper and better. For their self-titled debut album, FIDLAR only partially succeed at making that magic happen.

Let’s start with the song titles on this album, because they pretty much tell you everything you need to know up front. There are songs about drinking (“Cheap Beer” and “Blackout Stout”), drugs (“Wake Bake Skate” and “Cocaine”), surfing (“No Waves” and “Max Can’t Surf”) and being broke or having a low paying job (“Stoked and Broke,” “5 to 9” and “Paycheck”). There are even a couple songs about the military (“White on White”) and women (“Whore”) in there for good measure. If these guys were a little younger, they’d probably have included a few songs about high school and how much it sucks. Then again, The Ramones, who have a little stylistic similarity to FIDLAR, had no trouble writing about Rock n’ Roll High School well into their 20s. So it’s all a matter of personal preference, really. If a track like “No Waves” calls to mind Nathan Williams’ band Wavves both in title and sound, it may be a somewhat unintentional coincidence but more likely is a sly wink and nod to their friend and future touring partner. The fuzzy digital mess that the guitars make on most tracks is definitely lifted from Wavves, though just about every other aspect of FIDLAR’s music can be considered old school punk rock in the vein of Gun Club, Descendents, Circle Jerks and Fear. There are still plenty of bands out there trying to mine from that exact same cave, but few fare quite so well as these guys, which at the very least tells you they’re doing something right in the studio and on stage. That, and they know their influences backwards and forwards, meaning that behind all these live fast and die young songs there’s actual intelligence and intention.

While FIDLAR’s self-titled debut may be smarter than your average punk record, it also falls into some traps and cliches that make you wish they’d thought some parts through a little more. I mean, songs about drinking, drugs, surfing and being broke can only take you so far, right? When the chorus to “Cheap Beer” comes in and amounts to a shouted, “I / Drink / Cheap / Beer / So / What / Fuck / You,” you can’t help but wonder if they could do just a little bit better than that. Sure, it’s memorable, and I’m sure it becomes a shout-along in concert at a rapid-fire pace, but perhaps the level of discourse could be just a little less lowest common denominator. There’s definitely an undercurrent of darkness and maybe even depression at the heart of some of these songs that are indicated in the lyrics, and that’s certainly interesting even though they tend to glide right over it to get back to partying most of the time. In some weird sense, this record is a kindred spirit with Andrew W.K.’s I Get Wet, one of the most single-minded but subversively brilliant records of the last couple decades. FIDLAR haven’t quite found their ideal mixture of insanity and perfection just yet, but the earnestness and youthful energy they bring to every second of this album absolutely makes them a band to keep your eye on.

FIDLAR – Cheap Beer

FIDLAR – White On White

FIDLAR – Gimmie Something

Buy FIDLAR from Amazon

Pick Your Poison: Monday 2-4-13

It’s official: I’m sick. Not life-threateningly ill, just your run-of-the-mill cold (or is it the flu?). Either way, it’s severely unpleasant and brings my productivity down to almost nothing. I’ve got an album review I’ve been writing for the last few days that I simply can’t finish because I need the extra time to rest. The more I rest the quicker I recover and the sooner life and everything with it returns to normal. Of course my world (and hopefully yours) was shaken pretty hard over the weekend, as though it came later than expected, we finally got our hands on the new My Bloody Valentine album. It’s called m b v, and is available in various formats here. Go buy a copy – digital, physical or otherwise, and listen to it with the volume turned all the way up in your headphones. It’s basically intended to scorch your eardrums. Please enjoy it. I’m just grateful I can stop complaining about the poor way this whole release was managed, between the false alarm release dates and then the band’s website collapsing on Saturday night when they finally unleashed it into the world. Everything’s right again, and I’ll have a review of the album for you sometime before the end of February. I need to spend some time with it first. If that doesn’t distract you too much, let Pick Your Poison be your guide today. Enjoy songs from Everett Parker, Hollis Brown, Judy Kang, Nite Jewel and The Shifting Sands. In the Soundcloud section after the jump, stream new tracks from Action Bronson, Melody’s Echo Chamber, Pond, Young Dreams and the Peaking Lights remix of Young Galaxy. Now if you’ll excuse me, I need to climb back into bed.

Chromatics – Kill for Love (Kraak & Smaak Bootleg Remix)

ELIM BOLT – Field (Punk Ending)

Everett Parker – Dirt I Will Be

Gliss – Hunting (C-Berg Remix)

Grizzly Bear – What’s Wrong (It’s Overture Remix)

Hollis Brown – Nightfall

Home By Hovercraft – Zoo Lion

Judy Kang – Dream

Mr. Jenkins – Suddenly I Don’t Feel So Afraid

The Neighbourhood – Let It Go (Ghost Loft Remix)

Nite Jewel – Memory Man

Opposite Sex – La Rat

The Shifting Sands – Tonight

Zen Mystery Fogg – Raccoon

Pick Your Poison: Thursday 1-31-13

Picking up on a thread of discussion I started Monday, I’d just like to comment quickly that it’s been longer than the “2-3 days” that Kevin Shields promised us he’d deliver the new My Bloody Valentine album in. The guy has his timetable all screwed up, apparently. Every single deadline he’s set has not been met. He has come pretty close, but nothing is ever on time. So maybe it’ll be another few days for a new MBV record, or maybe it’ll be another month or two. Just hold on to the hope that we’ll get it sometime in the near future. While the wait continues, please enjoy some more Pick Your Poison tracks. Highlights today come from Caitlin Rose, Clin Stetson, LIZ, Margaret Glaspy (covering Lauryn Hill), Millionyoung and Oceanography. In the Soundcloud section (located after the jump), stream new songs from Alpine and Caveman, among others.

Blue Hawaii – Try to Be (No Big Deal Remix)

Caitlin Rose – I Was Cruel

Carl Creighton – Tripping in Our Living Room

Colin Stetson – High Above a Grey Green Sea

e-dubble – Plan A

Gray Young – Canopy Reflected

Ishi – Disco Queen

LIZ – XTC

Lycaon Pictus – I Give You a Rose

Margaret Glaspy – Ex-Factor (Lauryn Hill cover)

Michael Persall – A Tear Sheds for You

Millionyoung – Lovin’

Oceanography – Drinking Water

Odesza – Don’t Stop

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