To be honest, I’m not entirely sure what to make of Alex Cameron. The Australian musician is a bit of an oddball, but he’s so carefully skating the line between sincerity and parody (or truth and fiction) that it’s difficult to get an accurate beat on who he is or what he’s trying to accomplish with his music. Which isn’t a bad thing, mind you – that sort of vague template he’s presented over two full length records is dynamic and entertaining.
Alex Cameron’s debut album Jumping the Shark, for example, introduced him as a sort of worn-down sleazeball drunk. It’s a role he played into for live performances as well, applying makeup and fake wrinkles on his face to look older and creepier. Not entirely sure why anyone would voluntarily step into such a lecherous persona, but he managed to make it work by fully committing to the role and crafting smart yet gritty synth-pop songs to go along with it.
For a follow-up, 2017’s Forced Witness pivoted into a style and sound that might best be described as acerbic sheen. The songs sound much cleaner in execution, and he’s gotten rid of the wrinkles, yet the lyrics remain dark and disturbing. Each song paints a portrait of a deeply ugly, chest-thumping man’s man, as well as the sort of guys that might ascribe to a similar mentality. You probably know the type, straight from the coked-up, Wolf of Wall Street and American Psycho universes.
The characters in Cameron’s songs may be total assholes devoid of respect for women, but what makes them so compelling and the reason we listen to them ramble about perverse and disgusting things is that each one reveals deeper layers of insecurity and monstrosity. Underneath the surface of braggadocio are scared boys leaning into their worst impulses mostly because they don’t really ever face any consequences for their twisted actions.
When you combine those themes with slick, ’80s-style cheese pop (the kind that frequently includes jazzy saxophone solos), the whole exercise becomes astounding in its audacity. It’s impressive how many ludicrous things Cameron manages to get away with, all while somehow pulling memorable hook after memorable hook into the fray. Listening to it on record is one unique experience, but watching him sing these songs on stage is a whole other one. So if you’re up for catching a performance that’s weird, wild, and entirely unpredictable, don’t miss Cameron when he drops by Lincoln Hall on Wednesday, March 7th. The fantastic Molly Burch is opening the show too, so that’s an added bonus!
Alex Cameron / Molly Burch / Holiday Sidewinder
Wednesday, March 7th
8PM / $15 (advance) / 18+