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Show Preview: Foxygen at Metro [4/9]


Let’s not sugar coat this: Foxygen aren’t for everyone. They’re the sort of band that thrives on doing their own thing and not apologizing for it, which can really rub some people the wrong way. If you want to listen to and enjoy music that’s safe and comfortable that’s fine, but if unsafe and uncomfortable music is more up your alley, then by all means give Foxygen a try. Their 2013 album We Are the 21st Century Ambassadors of Peace & Magic represented the band at the height of their powers, taking cues from classic artists like The Rolling Stones and The Kinks while at the same time blurring lines between psych-pop, soul, funk, gospel and straight-up rock. They took that smorgasbord of influences and doubled down both figuratively and literally with last year’s …And Star Power. Across two discs and 24 tracks, Foxygen had crafted something akin to a 70’s glam rock concept record along the lines of Pink Floyd’s The Wall and The Who’s Tommy. Of course both those albums are classics, while Foxygen’s latest effort was met with more of a collective sigh from many critics and fans. Much of the good will the band had amassed the year prior had been wiped away by that point anyways, thanks to band in-fighting, shows being cancelled and an overall sense of fatigue that came with spending too much time on the road. Some artists progress slowly and steadily, while others push themselves to extremes and flame out quickly and in spectacular fashion. For all practical purposes, Foxygen appear to be the latter.

Last week they let everyone know via Twitter that this will be their final tour. Now before you go crying tears of sadness or joy, depending on your opinion of the band, I think it’s important to remember the following: they may not be 100% serious about it. Allow me to offer up a reasonable explanation. Upon the release of …And Star Power last fall, Foxygen decided to go all-out spectacle with their tour in support of it. They put together a true production with a large crew, elaborate stage design and extra band members that included backup singers/dancers. Then they kind of but not really changed their name. I’m not sure if they settled on Foxygen and Star Power or simply just Star Power, but to avoid confusion everyone kept calling them just plain Foxygen anyways, so it doesn’t matter so much. Upon claiming that this is their “final tour,” that could have multiple meanings. Will this be the final tour in support of the …And Star Power record? Will they be breaking up “Star Power” only to reform again as Foxygen? Will they simply be ending their extravagant live show with extra band members and will scale back to normal? It could be any/all of those things, none of which truly spell the end of Foxygen. More than anything, I’m convinced they’ll disappear for a few years, then resurface with a new album.

Whatever they choose to do, it’s likely to be interesting if not a bit bothersome and annoying. But that shouldn’t stop you from going to see Foxygen play what could be their final show in Chicago on April 9th at Metro. At the very least it’ll be the last time they come through town for the foreseeable future with a whole big event-style performance. To give you at least a taste of what that might entail, check out their visit to Letterman from back in January where they blew him away with “How Can You Really”. Pretty great, right? Anyways, tickets to their show at Metro are $18 in advance and can be purchased here. It’s an 18+ show and starts at 9PM, just so you’ve got all the necessary details. I hope to see you there!

Pitchfork Music Festival 2013: Sunday Photos


The third and final day of the 2013 Pitchfork Music Festival was just as incredible than the first two, if not more so. After the jump, enjoy the visual odyssey that was Sunday with photos of R. Kelly, M.I.A., Yo La Tengo, Chairlift, Sky Ferreira, Waxahatchee, Run the Jewels, Killer Mike and Foxygen. For complete coverage of everything related to this year’s Pitchfork Music Festival, simply click here.

Pitchfork Music Festival 2013: Final Thoughts


I’m pleased to be wrapping up this week-long adventure into coverage of the 2013 Pitchfork Music Festival with a quick look back at the weekend that was. Having attended the festival for the last few years, you really get used to how things are run and where you need to go for everything from water to food to restrooms. So as you return in a sense it’s like coming home, and that’s comforting. I never once felt out of my element or like I had no idea what I was doing over the three days. Of course I didn’t quite see everything I wanted to see and hear everything I wanted to hear thanks to traffic delays and one too many hits of the snooze button, but what I missed was miniscule compared to what I saw. Hopefully you’ve read all about those adventures in my daily recaps (Friday, Saturday, Sunday). That should give you a pretty good idea of the best and worst of the music side of things this year. But just for fun, I put together a little list of superlatives, helping to highlight some of my favorite and least favorite musical treats from the weekend. Check that out:

Most surprising set: Killer Mike
Most disappointing set: Yo La Tengo
Set that best lived Up to the hype: Savages
Band that sounded better live than on record: Parquet Courts
Most openly fun set: Solange
Most likely controlled the weather during their set: Bjork
Set that proved punk rock is alive and well: Metz
Veteran act that still has “it”: Wire
Veteran act that has lost “it”: The Breeders
Band whose set would have been far more popular in a different decade: Chairlift
Band that felt so right in the middle of a sunny afternoon: Phosphorescent
Quietest set (artist + crowd): Joanna Newsom
Funniest set: Mac DeMarco
Most gratuitous use of the word “SWAG”: Lil B
Flashiest performance with the least amount of genuine substance: M.I.A.
Most pathetic attempt to attract attention: Foxygen

Outside of those superlatives, I want to talk for a brief minute about how things went overall. Since we’re on the topic of music, let me say a few words about this year’s lineup. To me, it felt just a little bit weaker than in the last few years, though all of the headliners were certainly nothing to sneeze at. Perhaps that’s where most of the budget went this year. I suspect it was telling that unlike the last couple years, the festival wasn’t a total sell out this year. Sunday was sold out, most likely due to obsessive R. Kelly fans who camped out at the Green stage for much of the day just waiting for him. But Friday and Saturday didn’t sell out, as far as I’m aware. I did keep hearing that there were a “very limited number” of tickets left for Friday, so maybe that eventually sold out too. When I look at it, I like most of the artists on the lineup for this year, but I’m not overly passionate about a lot of them. It made for another fine festival overall and I’m glad I saw what I did, but for whatever reason it sometimes felt like something was missing. Not a whole lot of artists really jumped out and grabbed me by the ears, so maybe that’s what it was. If I were put in charge of naming one act each day that was my favorite, the list would be the following: Friday – Bjork, Saturday – Savages, Sunday – Killer Mike. Of all the days, I’d classify Friday as my least favorite, primarily because many of the artists that performed that day were either relatively bland (Woods, Mikal Cronin) or didn’t quite feel like they belonged at an outdoor festival (Angel Olsen, Joanna Newsom). Perhaps I should have made it to Union Park in time for Trash Talk, I heard their set was crazy.

Music aside, let me comment on the amenities this year. Considering the capacity of Union Park every year, festival organizers have gotten everything at just about the right levels to make things comfortable. The restrooms are plentiful and you’ll never wait too long for one. The food booths offer a wide variety of cuisine for even the most sensitive of palates or dietary restrictions. I had some amazing tacos on Sunday. The return of Goose Island as the provider of alcoholic beverages was an inspired move. The availability of key beers like 312 and Green Line was nice, but even nicer was the special Goose Island booth that had a rotating cast of different beers from the brewer’s catalogue, not to mention two beers crafted exclusively for the festival. I tried both of the fest-exclusive beers, and they were delicious. The singular gripe I have, and it’s basically always been a problem, is with water fountains. Union Park has a distinct lack of water fountains, and therefore the few it does have resulted in long lines. There’s nothing that can really be done about that, but I’ve got to hand it to the volunteer crew at the festival for often walking around with cases of bottled water, handing them out to anybody that wanted one. A lot of people were likely spared a trip to the medical tent as a result of such gestures, though I did see at least a few people go down due to heat exhaustion and dehydration. On the whole, this year’s festival went rather swimmingly, where the sets all started on schedule and the lines were never astronomically or annoyingly huge. It’s a sharp reminder that no matter what the lineup might be, this is one of the best-run music festivals in the country. As I stated in my earlier coverage, Pitchfork Music Festival weekend is my favorite weekend every single year I attend. I wouldn’t be surprised if that were true again by the time we reach the end of 2013.

Pitchfork Music Festival 2013: Sunday Recap


Phew, what a weekend! As usual, I’m feeling quite a bit drained from three long days of experiencing the dizzying highs and physical tolls of attending a music festival. It doesn’t get any easier as you get older, I can tell you that. Judging by the average age of the attendees this year, I’m beginning to fall on the older half of the spectrum. In spite of this, I’m never less than excited to attend the Pitchfork Music Festival each year, as I consistently claim it is my favorite weekend of the 52 that take place annually. So I may be tired and writing about the festival in a timely manner has brought its own set of unique challenges, but I’m not anything less than satisfied with how everything turned out. I’ll have my final set of thoughts on how I think the festival went this year, along with a massive photo set from the entire weekend, coming up in the next few days. In the meantime, please enjoy this summary of all the acts I saw perform on Day 3 of the festival, aka Sunday.

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