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Pitchfork Music Festival 2015: Saturday Preview Guide

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Saturday was the first day of this year’s Pitchfork Music Festival to sell out. When you take a close look at the daily lineups, it makes perfect sense as to why. While the entire thing is pretty stacked, Saturday in particular looks extra heavy on quality. This is both a good and a bad thing. On the one hand, you get to see all this great music in one day, meaning if you don’t have a ticket for the entire weekend it seems like the best deal for your time and money. On the other hand, you can’t see everything, leading to a nasty pile-up of conflicts that can be problematic. If you’re concerned about that, and you should be, allow me to offer some help and guidance to make the most of your Saturday at Pitchfork. Join me after the jump for the hour-by-hour breakdown of who’s playing when, complete with recommendations on what you can’t/shouldn’t miss.

If you missed my previous Pitchfork Music Festival 2015 posts, go here to hear/see/download songs from every artist on this year’s lineup. If you’ll be at Union Park on Friday, you may want to look over my preview guide for that day by going here.

Listmas 2014: The Top 50 Albums of the Year [#10-1]


This is it! The final post of 2014 also marks the conclusion of Listmas and specifically this Top 50 Albums of 2014 countdown. It’s been a long road with plenty of bumps and delays along the way, but we’ve finally reached the peak of this imaginary mountain. At this point I’d like to give a special thank you to everyone who read something, clicked on something or downloaded something here at Faronheit over 2014. All of the content that’s posted here is for you to discover and enjoy, and I’m grateful for anyone who visits with that intention. It hasn’t been the best year for the site content-wise, but the hope is to generate more and return to form in 2015. Typically I’d tease a bunch of new features and exciting things in development for next year, but honestly most of that stuff either gains no traction or simply falls off never to be heard from again, so let’s just stick to the mantra of more everything and go from there.

So what can I say about these Top 10 Albums of 2014? Well, like the other entries in this list, there’s plenty of variety in terms of genre and style. It goes from weird to fun to noisy to sexy to relaxing to adventurous and back again. If you’ve been following me on Instagram these last few weeks, you’ve been given access to an early preview of the eclectic Top 5, though I can assure you that #6-10 are as equally exciting and wonderful. And hey, while I wasn’t able to write a lot of album and show reviews this year, some of the ones I did write about make an appearance here. Also worth mentioning: a particular pair of artists who are members of my Class of 2014 had an exceptionally great year, helping to continue to support that program. So I’m not going to spend any extra time talking this up. Please join me past the jump for the big reveal of my absolute favorite albums of the year.

Previously: [#50-41] [#40-31] [#30-21] [#20-11]

Listmas 2014: The Top 50 Songs of the Year [#30-21]


In the formidable challenge that is counting down the Top 50 Songs of 2014, today is the day we reach the halfway point and then keep going. The songs are getting progressively better, more epic, catchier, and more emotional. That’s how lists like this work. I hope you’ve enjoyed what’s already been covered in the previous two installments. Click here to see #50-41 in the countdown. Click here to see #40-31. Is there a theme to the set of 10 songs featured in this particular post? Not that I’ve been able to discern. You’ll find a couple of hip hop tracks, a couple of R&B cuts, a couple of synth pop numbers, and some other things that can sometimes feel like they’re straight out of left field. It’s nice to get a little unpredictable from time to time. So here we go: The Top 50 Songs of 2014 #30-21!

Song of the Week: Avey Tare’s Slasher Flicks – Little Fang


Dave Portner, aka Avey Tare, has made plenty of fascinating music as a member of Animal Collective, not to mention outside of that band as a solo artist. Avey Tare’s Slasher Flicks is his third project, but if you’ve heard anything he’s done previously then what he’s bringing to the table here isn’t a whole lot different. The good news though is that it is diverse and different enough to justify creating a whole new band to put it together. At the same time, whitewashed, fun house psychedelia seems to be a specialty of Portner’s, and it’s almost always a great idea to play to your strengths. So with this track “Little Fang,” the first audio we’ve heard from this new band and from the forthcoming record Enter the Slasher House, we get that tricky blend of strange and trippy composition complete with modulated vocals and stray sound effects. Yet unlike anything else, there’s an extreme clarity and straightforward approach to the song that makes it remarkably easy to digest. For my money, it’s one of the most commercially accessible and catchy things that Portner has ever done, and he’s managed to pull it off without diminishing expectations or sacrificing key elements of his work. If you didn’t know any better, it’d be remarkably easy to confuse it with something by Of Montreal or Ariel Pink. There’s no guarantee the entire record will sound this way, but at the very least it’s a strong introduction to this brand new band.

Preorder Enter the Slasher House (out April 7th)

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