Well we have once again made it through another year. As such, the time for reflection and list making is upon us. Did you listen to a lot of new music this year? If you did, congratulations because 2023 happened to be a pretty great one overall in terms of pure artistry and quality recordings. Some years it’s a struggle to name 50 records that both held my attention and truly impressed. This one both came together with relative ease, and left me a little sad not everything I loved in 2023 could be included. 50 is a manageable number, plus another 10 honorable mentions because I can’t help myself. Even still, everyone from Jessy Lanza to PJ Harvey to The Armed to Lydia Loveless to Bar Italia all couldn’t quite survive the inevitable cuts and it breaks my heart.
The ultimate point of this list, and any list really, is to try and let you know both what amazing records you might have missed, but also to hopefully see if you agree or disagree with my take on things. Everyone’s taste is different, and that’s what makes it so great. So here are 50 (+10) records that meant a lot to me this year. And while I understand the spirit of the zeitgeist in including a record or two from December 2022 on some year-end lists, this isn’t one of them.
All the records listed here came out in 2023, and if you saw my year-end list from 2022 then you’d know SZA was on that. I sincerely hope you enjoy this list, and ideally make some great new discoveries along the way. Check out some albums you might not have done otherwise. Take this moment to reflect, then rest assured we’ll be right back at it again come January. Here we go, Faronheit’s Top 50 Albums of 2023.
Honorable Mention
Gia Margaret – Romantic Piano
Jane Remover – Census Designated
Jess Williamson – Time Ain’t Accidental
Margaret Glaspy – Echo the Diamond
Marnie Stern – The Comeback Kid
McKinley Dixon – Beloved! Paradise! Jazz!?
Overmono – Good Lies
Sampha – Lahai
Slow Pulp – Yard
Yo La Tengo – This Stupid World
One thing that fascinates me about year-end lists is how little true consensus there tends to be between them. It makes the moments when everyone actually IS in agreement so much more powerful, and a testament to the quality of something. Call it the Paddington 2 effect, or I suppose the Dolly Parton effect, because nobody actually dislikes either of those two things. My favorite song of 2023 falls into that “broad consensus” category. So many people and publications ranked it as their top track of the year that seeing another list fall in line like this one might induce another eye roll and a “here we go again”. But I can’t deny something that’s objectively true, as much as I’d like to be a contrarian. You’re of course more than welcome to disagree with me, along with the hundreds of other music writers who listed this as the #1 song of 2023. What’s wilder, in my mind, is how this 7+ minute track received no commercial or terrestrial radio placement, as far as I’m aware. Instead it just got a lot of organic, fully chosen plays across a variety of formats. If you know your music and have been paying close attention to year-end lists, hopefully my favorite song of 2023 won’t come as a surprise.
