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Pitchfork Music Festival 2018: Friday Recap


The weather was top of mind heading into this Pitchfork Music Festival weekend, primarily because the forecast predicted scattered thunderstorms all three days. Prepared to go with the flow whatever that might wind up being, I arrived at Union Park on Friday armed with a poncho, umbrella, and plastic bags for my cell phone, wallet, and camera if needed. It began to rain as I approached the entrance gate, so the poncho became a fashion accessory immediately. Undeterred by the showers, I wandered a short distance to the Red stage, where the ferocity of Melkbelly‘s guitars made for a rather appropriate weather soundtrack. They’re Chicagoans, so they fully understand how everything from temperature to precipitation can turn on a dime in this city. And turn it did, because not only did the rain stop after about 15 minutes, but the sun was shining by the end of Melkbelly’s set. It almost felt like a weird bit of coordination, as the band’s performance only got stronger, louder, and heavier as the weather got better. Did they scare the clouds away? When your show has such a high level of intensity, anything seems possible. They set the bar high right at the start of the day, and woe to whatever artist had to follow them.

The artist that followed them was Lucy Dacus. Even though she was coming in hot off her magnificent new record Historian, pretty much anything she did would be viewed as a slight letdown compared to what Melkbelly had just done. The good news is that Dacus didn’t attempt to be anything other than her truest self on stage. As such, there wasn’t anything particularly flashy or gimmicky in her performance, just some rock-solid songs and some good interplay with her band members. After spotting a few ominous-looking clouds in the distance after her first couple of songs, she quickly called an audible and changed the set list on the fly “out of fear” the weather might force them to end early. “I’m also a little worried about the possibility of getting electrocuted,” Dacus confessed. She needn’t be concerned however, as the rain never came and she finished the set without any problems. It was my first Lucy Dacus live experience, and if I’m being honest it was perfectly lovely.

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Pitchfork Music Festival 2018: Friday Preview


One of the best things about Friday at Pitchfork Music Festival every year is how relaxed the overall vibe is compared to the rest of the weekend. It’s less a product of the artists on the lineup and more the result of lower attendance (because many people are working), later arrivals (some show up after work), and people wanting to conserve their energy for the days ahead. You spend the day getting your bearings, learning where everything is located, and trying not to over-extend yourself. Yet it’s still a blast and the lineup is certainly nothing to sneeze at either. This year one of the biggest features of Pitchfork Fest is just how LOCAL it is. Yes, it’s very local every year, but that’s mostly reflected in the vendors and fun side attractions rather than the music itself. There are always a handful of Chicago artists and bands on the lineup, which has been nice but felt more like an afterthought than an actual intention. With 13 Chicago acts (out of 42 total) on the 2018 lineup, that’s no longer the case. Not only that, but the artists that were booked are all highly respected and critically acclaimed. If this is something Pitchfork hopes to continue in the future I worry they may run out of good choices, even though the local music scene is pretty massive. But we’ll take what we can get, and this year promises to be one of the best yet. There are five Chicago artists performing on Friday, including two bands that kick off the festival proper. Learn a bit more about all of them, and check out my personal picks for who to see hour-by-hour below.

Before we get started:
Click here for a playlist of all the Pitchfork Music Festival 2018 lineup
Click here to buy tickets to the 2018 Pitchfork Music Festival
Check back later this week for the Saturday and Sunday preview guides, plus coverage of the festival all weekend long!

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Show Review: M. Ward, Big Thief + Nice As Fuck [Thalia Hall; Chicago; 6/16/16]

mward5
Rare is the high quality triple bill, where it’s worth arriving early and staying late just to see every single second of music. Most of the time it’s easy to glance at the one or two opening acts, not recognize the names, and decide they’re worth skipping so you don’t have to sit through a bunch of stuff you don’t know or care about. Okay, that might be overreaching just a little bit. There are plenty of adventurous music fans who understand that many of today’s openers are tomorrow’s headliners and have a desire to discover new music through live performance. If you’re one of those people, thank you for giving a damn.

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