Faronheit | A Chicago Centric Music Blog

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Tag: best of

The 50 Best Albums of 2017


Overall, 2017 was a pretty fascinating year for music. If last year was a massive dogpile of great artists releasing great albums (Chance, Beyonce, Solange, ATCQ, Radiohead, Bowie, etc.), this year was more about promising young upstarts working hard to prove their initial success wasn’t simply a fluke. In a very different way, 2017 also saw the return of the “elder statesmen” of indie, in which well-established names like Fleet Foxes, Grizzly Bear, and LCD Soundsystem returned with new albums after being absent for a few years. Exciting as it was to hear fresh material from the likes of The Shins and Broken Social Scene, many of these returns resulted in a slight decay in quality, which may very well have been a sign of the times. It’s difficult to say where Arcade Fire and The National fit into today’s musical landscape, other than the fact that as long-time favorites they’ve earned plenty of trust and leeway when it comes to these matters. Some of these artists have attempted to continue evolving after a decade of trying the same thing and were met with shrugs by fans, while others have been more content to remain in their own lane and hope that fans continue to follow along.

On the other side of the coin, it often felt like fewer new artists managed to make a major impact this past year. Standouts like Priests and Charly Bliss aside, the ability to discover and cultivate fresh talent failed to impact as potently in 2017 as it has in other recent years. That left things largely up to the in-betweeners. Julien Baker, Jay Som, Big Thief, Torres, and others are known but not yet popular enough to earn things like regular radio airplay, yet their records remain deeply impactful and wholly original. Turns out that’s the sweet spot for this year. It remains exciting to hear a collection of artists figure themselves out, and connect with listeners in an interesting and genuine fashion.

Below you’ll find my Top 50 Albums of 2017. While many near the top of the list fall in line with a generally established consensus from plenty of other publications, there are still quite a few personal touches that hopefully help this list stand apart from the rest. I strongly encourage you to seek out any of the records listed if you haven’t heard them yet. All of them are worth your time and effort, though some are more challenging and impenetrable than others. So while you might not fully “get” some of these on a first, second, or third listen, the effort you put into many of them is worth the deeper rewards contained within their folds.

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The Ten Best Concerts of 2017


Just like an album or a song, a truly great live show can change your life. Unlike an album or song, live shows are a communal experience that only exist for a brief moment in time before they become a distant memory. That’s why it’s so important to be as present as possible when you’re at a venue or music festival, to keep that memory locked inside your brain instead of locked inside your phone. Of course I’m as guilty as the next person for taking photos during a show (see all the examples below), but I do my best to only take a few and then put the device away.

Having said that, 2017 marked my busiest and most exciting concertgoing year to date. According to calculations, I attended shows on 71 days this year, and that’s not including the insanity of multi-day festivals such as the Pitchfork Music Festival, Lollapalooza, and Riot Fest. When all is said and done, my best guesstimation is that I saw 167 performances total, which takes opening acts and festival sets into account. So yeah, a lot of live music. It’s not nearly as much as the 500+ shows NPR’s Bob Boilen has pulled off in recent years, but I’d like to think it’s a solid amount for somebody that also has to maintain an active work and social life (not saying Bob Boilen doesn’t have either of those, but he arguably has more…flexibility).

Needless to say, it was tough choosing only ten performances from 2017 to highlight. Then again, this list could easily have been the ten best live shows I attended at the Empty Bottle this year, since they hosted an incredible array of big name bands and artists vastly underplaying at their tiny venue in celebration of their 25th anniversary. Instead, things are just a little more diverse than that, focusing on the moments that really stood out to me for one reason or another. Some were emotionally moving. Others were genuinely surprising or fun. The thrill of discovering something new, and the pleasure of hearing a set list comprised of many of your favorite songs. There was so much to love, and it’s my sincerest hope that you are inspired by this list to check out more live music no matter where you live. After all, science says that regularly attending concerts makes you happier.

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The Ten Best EPs of 2017


The Extended Play is a tricky beast. For many artists, it serves as an introduction – a means of dipping one’s toes into the water with a small parcel of songs and seeing what the initial reaction is. It stands to reason that if you amass lots of positive attention from fans and critics, that you’re on the right path and can safely wade into the deeper waters of a full length album. For more established artists, EPs can function as a bit of a dumping ground. Sometimes when recording an album, there are some good songs that simply don’t fit the aesthetic you were trying to cultivate, so those odds and sods wind up collected in an EP. It’s also a good stopgap measure, to keep fans engaged during the wait between full length efforts. And finally, it’s important to remember that creativity can be finite. You may head down a particular path with certain songs and themes before reaching to the conclusion after completing five or six songs that there’s nothing more you want to say or explore on the matter.

The ten artists featured on this Top EPs of 2017 list come from a variety of backgrounds and places in their careers. Most are new artists on the verge of breaking out, but there are a couple of established names in the mix too, who thankfully chose to approach their short releases with the same care as their long players. The great news is that there’s plenty to discover. Unless you’re neck deep in the hunt for quality new music, chances are you’ll see a name or two (or three) that you’ve never heard of before. Therefore, I strongly encourage you to hit play on some of the embedded tracks/videos tied to each EP on this list and get a taste of something great you might have otherwise missed. So without further ado, here are my choices for the Ten Best EPs of 2017!

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