Day one of Pitchfork is done, and boy was it a lot of fun. Apologies for that rhyming introduction – I immediately regretted it after I had typed it, but still liked it enough to not delete it. But yes, on the whole it was a delightful day and a great start to another year of the festival. The primary lesson that I learned – well, rather had reinforced on me – was that the best performances always had genuine passion and respect behind them from both the artists and the crowds. There are some examples of the good, the bad, and the middling peppered throughout this recap, so join me on the other side of the jump for a chronicling of all that went down from a musical perspective on the first day of the 2017 Pitchfork Music Festival.
Slap on some sunscreen and hose yourself down with bug spray, because Pitchfork Music Festival is starting early this year! Well, a couple of hours earlier than usual. In past years, the opening Friday has always been a shortened day, typically kicking off around 3PM. I’m not exactly sure what the point of that was, beyond letting some people take a half day of work and still make it in time, or perhaps working a full day and not missing too much. Maybe it was also a budgetary concern, as the cost of booking another 3 or 4 artists to fill out the lineup might have been just a touch more than they wanted to spend. Whatever their logic, it seems like the organizers have stopped kidding themselves and are finally ready to extend the overall festival experience by a couple of hours. Gates on Friday open at Noon, and the first artist takes the stage at 1PM.
Of course just because we’re getting a full day on Friday doesn’t mean there are more names on the lineup to help fill that extra time out. Instead, a number of artists at the start of each day will perform unopposed, meaning you’ll have the choice to either watch one specific performance, wander around Union Park and explore other areas of the festival (/drink more/hang with friends), or simply show up late. The choice is yours, but I would strongly recommend arriving early all three days. You’re likely to discover something truly great as a result. There is at least one set starting before 2PM each day that has the potential to be among the best of the entire weekend, and it’d be a shame for you to miss out! Then again at Pitchfork, just about every set is a must-see. Navigating the weekend filled with such great music can be a little challenging, which is why this day-by-day preview guide is here to help! Join me after the jump for a breakdown of Friday’s lineup and schedule, where I’ll do my best to point you in the direction of exciting, fun, and amazing things to do, see, and hear.
Welcome to the beginning of Pitchfork Music Festival Week 2017! It’s become tradition here on Faronheit in the last few years to spend a full seven days celebrating the three day blissful orgy of music that descends upon Chicago every July in the form of the Pitchfork Music Festival. In my opinion, you won’t find a better curated or more diverse festival lineup anywhere other than Pitchfork. They put their brand and reputation on the line to celebrate great and innovative artists across backgrounds and genres. If you’re unaware or ignorant of the festival, perhaps a glance at some past coverage will provide an accurate impression of how things go each year. We couldn’t be more excited to bring you a complete festival guide all week long on Faronheit, which includes day-by-day previews, day-by-day recaps, plus a whole bunch of photos and other media along the way. Whether you’re headed to Union Park this weekend and are unsure about what bands to see, or are interested in the lineup and are looking to vicariously experience the festival without actually going, the hope is you’ll make this site one of your stops for key information and on-the-ground reporting. It’s a pleasure to put this guide together every year, and I hope it’s reflected in the content posted.
Let’s get started by providing a proper introduction to all of the artists set to perform at Pitchfork Music Festival 2017. After the jump you’ll find a Spotify playlist featuring two songs from every single artist on the linup, along with individual links to websites, music videos and more. The Spotify playlist is ordered by day and set time, while everything else is sorted alphabetically. There are plenty of ways to get to know these artists, but obviously listening to their music is the most important of all. So click some links, stream some songs, and begin your education!
As we reach the halfway point in our countdown, let me say a few quick words about D’Angelo. As you’ve hopefully heard, he released his long-awaited second album Black Messiah a couple of weeks ago, during a time when many in the music world had already released their Top Albums of 2014 lists, or at the very least were on the verge of doing so. The Top 50 Albums list that we’re counting down right now was actually all locked in during the first week of December. Really it’s just the writing that’s holding up everything being published in a more immediate fashion. So like those other music media outlets, I’m officially ruling that Black Messiah missed the unofficial cut off date and will not be found on this list. If you’ll recall, a similar thing happened with Beyonce last year, as her self-titled album came out a couple of weeks before Christmas. That turned out to be one of the best albums of 2013, to the point where I almost felt it’d be reasonable to include it on this year’s list since it missed out last year. Actually that D’Angelo record is one of 2014’s best as well, which also makes its lack of representation here just a touch sad. So I’ll advocate for it right now. Please check it out and pick up a copy. Of course I’ll also recommend that you pick up copies of all the albums on this Top 50 list. In case you missed the previous entries, here once again are links to #50-41 and #40-31. We’re continuing to chug along here, and I’m now pleased to present the next segment, #30-21!